7 Khoon Maaf Music Review
If you havent heard thus far that Darling has its origin in the Russian folk song Kalinka
, then youve certainly been brain-dead all this while since 7 Khoon Maaf began intravenously restoring our dulled music nerves with its rambunctious, gallop-wallop rhythm and elegiac melody.
Usha Uthup and Rekha Bhardwaj roll their rs with such joie de vivre in Darling, theyre clearly fox-trotting around a mulberry bush accompanied by a full-house orchestra to be part of something thats more than just a song, a hale and hearty celebration of stifled emotions coming to fore in an explosive operetta.
Right after which is the silent detour Vishal takes in composing and singing Bekaraan (off shore). Imagine slow motion. Imagine Priyanka Chopra frolicking amidst snow flakes. Imagine a steaming cup of tea in your hands on a lantern-lit patio. Lillaah he sighs, and you can almost feel the frost in your breath thawing, your head cooling as your heart warms. Its an icicle of deceptive beauty this song, and if it pierces through your heart, the murder weapon will remain untraceable. And the lilaah note in the end is amen, a prayer, an incantation to repeat.
K K and Clinton Cerejos O Mama is another departure from Vishals oeuvre, nevertheless a welcome addition to his range its dark theme heavily twanged to electronic guitar riffs. Singers boil to dunk a girl in a vat of inflammatory thoughts, a girl they mockingly refer to as ek meow si ladki whose tail they probably want to wrench into a musical motif. The acoustic version is delightfully devilish too.
Awaara in Master Saleems voice, is to my mind, pregnant with rasas sinuous, muscular, delicate and erotic and in my minds film reel, runs backward, will have to see how this is picturised. Gulzars poetry is mnemonic and lends a kinesthetic energy to the music which is bound to keep you afloat each time you bounce over it.
Suresh Wadkar, whose talent only Vishal seems to make use of, glows like ember in Tere Liye stoked by Gulzars plaintive poetry. If you like your music unrushed, this is a lilt to linger in your evening reveries.
With Dil Dil Hais arrival, you will notice the pattern in which songs have been arranged on this soundtrack, one to make you dreamy, another to wake you up. Suraj Jagan croons to remind you of dils dil-ness, doing crazy things that we do not necessarily comprehend at all times. How this song came out of Vishals quiver then, is another arrow in the dark to ponder over.
Rekha returns to sing Yeshu, a moody, evocative, sinister piece praying to the chosen one, as with doubting his body as host for gods will.
Usha and Rekha crank up a coup de'tat - Doosri Darling with as much pizzazz. What else is left to say?
The romantic misadventures of Susanna Anna-Marie Johannes, a beautiful lass who over the course of thirty-five odd years, gets married seven times due to the untimely and mysterious deaths of half a dozen of her hapless husbands. The strange circumstances of their deaths, makes Susanna a prime accused. Did the husbands deserve to die? Were the murders out of necessity or pure blood-lust? Does Susanna ever find her one true love?
by: Madhu
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