A Short Introduction To Dance Pointe Shoes
Dance pointe shoes are usually worn by ballerinas during practice and stage performances
. One of the peculiarities of these shoes is that they are worn either by female dancers or by males playing female roles. It is very likely that dancers would not want to think about anything except dancing during performances so it is crucial to make sure dance pointe shoes are as comfortable as possible. In fact they should preferably fit as second skin.
The first prototypes of modern dance pointe shoes were worn by the Italian ballerina Marie Taglioni during her dance in ''La Sylphide'' ballet. These were modified satin slippers. Just the sides and toes were darned, while the soles of these shoes were made of leather. During this ballet for the first time in history the ''en pointe'' technique was used not as a stunt but rather as an aesthetic feature.
The creation of modern dance pointe shoes is credited to the eminent Russian ballerina of the early 20th century Anna Pavlova. She had very vulnerable legs with very small ankles, so to support and protect them against injuries during her dancing ''en pointe'' she would insert leather soles into her shoes and shape their toe parts in the form of a box. This was regarded as cheating by some of her contemporaries; nevertheless these shoes entered the world of ballet and stayed there ever since.
Dance pointe shoes are very individual for every dancer. Generally beginners use shoes with harder boxes than professionals do. Professional dancers sometimes use one pair of shoes per day during periods of intensive trainings.
The ability to make high-quality dance pointe shoes is usually passed from generation to generation since there are virtually no schools that teach that skill. Good masters first cut out all shoe details from light fabric then make soles from leather.
These details are then sewn together and a box covering the toe part is glued into the shoe. After that masters normally turn shoes inside out so that the upper satin part of the shoe is facing upward. The toe part is then shaped with a special kind of a hammer and then the shoe is worked on by a drier for 15 to 16 hours. After that the masters put flexible insoles inside and shoes become ready for wearing.
All dancers have unique ways of preparing and using their shoes. Ballerinas usually soften their new dance pointe shoes in order to minimise the discomfort they may cause. Some ballerinas strike them against hard surfaces, others wet them. It is also possible to heat them to soften the glues. All these methods, however, decrease the durability of shoes, so some dancers prefer to tolerate the discomfort and just wait till their shoes are softened naturally.
Getting the right dance pointe shoes is likely to be crucial for both good performing on stage and successful training sessions. Some ballerinas even claim that wearing perfectly-fit shoes feels like dancing barefoot. It is important to remember that the sizing and the width of these shoes should be perfect. The sole should be perfectly tailored to cover the heel tightly for maximum comfort and protection of vulnerable bones and muscles.Dance pointe shoes are usually worn by ballerinas during practice and stage performances. One of the peculiarities of these shoes is that they are worn either by female dancers or by males playing female roles. It is very likely that dancers would not want to think about anything except dancing during performances so it is crucial to make sure dance pointe shoes are as comfortable as possible. In fact they should preferably fit as second skin.
The first prototypes of modern dance pointe shoes were worn by the Italian ballerina Marie Taglioni during her dance in ''La Sylphide'' ballet. These were modified satin slippers. Just the sides and toes were darned, while the soles of these shoes were made of leather. During this ballet for the first time in history the ''en pointe'' technique was used not as a stunt but rather as an aesthetic feature.
The creation of modern dance pointe shoes is credited to the eminent Russian ballerina of the early 20th century Anna Pavlova. She had very vulnerable legs with very small ankles, so to support and protect them against injuries during her dancing ''en pointe'' she would insert leather soles into her shoes and shape their toe parts in the form of a box. This was regarded as cheating by some of her contemporaries; nevertheless these shoes entered the world of ballet and stayed there ever since.
Dance pointe shoes are very individual for every dancer. Generally beginners use shoes with harder boxes than professionals do. Professional dancers sometimes use one pair of shoes per day during periods of intensive trainings.
The ability to make high-quality dance pointe shoes is usually passed from generation to generation since there are virtually no schools that teach that skill. Good masters first cut out all shoe details from light fabric then make soles from leather.
These details are then sewn together and a box covering the toe part is glued into the shoe. After that masters normally turn shoes inside out so that the upper satin part of the shoe is facing upward. The toe part is then shaped with a special kind of a hammer and then the shoe is worked on by a drier for 15 to 16 hours. After that the masters put flexible insoles inside and shoes become ready for wearing.
All dancers have unique ways of preparing and using their shoes. Ballerinas usually soften their new dance pointe shoes in order to minimise the discomfort they may cause. Some ballerinas strike them against hard surfaces, others wet them. It is also possible to heat them to soften the glues. All these methods, however, decrease the durability of shoes, so some dancers prefer to tolerate the discomfort and just wait till their shoes are softened naturally.
Getting the right dance pointe shoes is likely to be crucial for both good performing on stage and successful training sessions. Some ballerinas even claim that wearing perfectly-fit shoes feels like dancing barefoot. It is important to remember that the sizing and the width of these shoes should be perfect. The sole should be perfectly tailored to cover the heel tightly for maximum comfort and protection of vulnerable bones and muscles.
by: Cedric Grosjean
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