Black Swan Movie 2010 Online Free
Black Swan Movie 2010 Online Free
Black Swan Movie 2010 Online Free
Barbara Hershey , Black Swan , Black Swan Movie Review , Darren Aronofsky , Mao's Last Dancer , Marshall Fine , Marshall Fine Movie Review , Mila Kunis , Movie Reviews , Movies , Natalie Portman , New York City Ballet , Pi , Requiem For A Dream , Saw , Swan Lake , The Fountain , The Red Shoes , The Turning Point , The Wrestler , Vincent Cassel , Winona Ryder , Entertainment News
Darren Aronofsky is a filmmaker with the chops to be a great director and the impulse to be a sensationalistic one.
In many ways, his films are of a piece: stories about obsessions and mysteries -- and obsessions with mysteries. From his debut Pi to his newest, Black Swan (which bears a surprising resemblance to that first film), with stops at Requiem for a Dream and The Wrestler (and even The Fountain), Aronofsky makes films that pull you in and, every once in a while, deliver a jolt just for the fun of it. It's as though he's testing the audience, saying, "Didn't see that one coming, did you? Now - you still with me?"
So it is with Black Swan, an energetic and sometimes unnerving story of obsession and the pressure that goes with it. This tale of a ballerina, played by Natalie Portman, isn't The Turning Point or Mao's Last Dancer or any of those other nicey-artsy stories of the drive to achieve the pinnacle of one's art.
Rather, Black Swan is like a horror-movie version of The Red Shoes --or perhaps it's The Red Shoes meets Saw -- in which the quest for perfection drives the dancer slowly mad.
Portman plays Nina, a member of the corps of what appears to be the New York City Ballet. She has greater ambition than that -- and she's pushed by her manipulative and domineering mother (Barbara Hershey), whose own career was curtailed when she became a parent.
Nina catches the eye of the artistic director, Thomas (Vincent Cassel, perfectly egocentric and imperious), who is looking to replace his old star (Winona Ryder) with a discovery. For his new production of Swan Lake, he wants to combine the Swan Queen and the Black Swan so they're danced by the same ballerina, to make a statement about the duality of good and evil in the characters.
He believes Nina, with her obvious perfectionism, is right for the Swan Queen. She's delicate and artful, conveying the longing and loss of the role. Though he believes she's too controlled to play the Black Swan, he casts her anyway, then tries to browbeat her into becoming the dancer he envisions.
Watch Free Online Movie : Black Swan movie Online Free 2010
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If July's Inception left you questioning reality, I guarantee Darren Aronofsky's Black Swan-slated for a December 3 limited release-will have you doubting your sanity.
The film, which earned praise at various international film festivals this year and has been garnering Oscar buzz for its acting, follows Nina Sayers (Natalie Portman), a New York ballerina vying for the principal role in a production of "Swan Lake."
While unquestionably talented and driven, Nina lacks the fire and intensity required for portraying the black swan in the ballet's pivotal third act, and when new ballerina Lily (Mila Kunis) joins the company, Nina finds herself consumed with jealously and determination.
Portman is incredible in her portrayal of the tortured, unsettling Nina, who slowly degenerates as the film progresses. Nina is a difficult character to read; she is both an egomaniac and completely self-destructive. Her inability to swap self-control for passion in dancing the part of the black swan enrages her ballet master, Thomas (played by French actor Vincent Cassel), and his consequential reactions-some of which manifest as sexual advances-are reminiscent of another ballet great-George Balanchine.
Aronofsky is painfully obvious in pointing out the parallels between his story and that of "Swan Lake," which at times seems to bog down the story's flow. It's clear that the Nina-Lily-Thomas triangle is representative of the Odette-Odile-Siegfried one central to the plotline of the ballet, but what remains unclear is which paralleling role belongs to whom. Is this really a case of jealousy and betrayal, or is Nina the one jealous and betraying of herself?
In the end, Black Swan reveals itself to be as much about the pursuit (and subsequent cost) of perfection as it is about tutus and Tchaikovsky.
It took me a while to process the film and its message, and maybe that's the point. Several of the film's horror scenes feel gratuitous in nature, and don't add anything of obvious value to character or story development. The film's tone is dark and ominous, but often it is unclear why.
My verdict? See Black Swan if you're ready for a film that will challenge you and leave you thinking for days. Otherwise, go see Harry Potter again.
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