Exploring the Possible - How One Turn in Thought Can Revolutionize Your Creative Capacity

Exploring the Possible - How One Turn in Thought Can Revolutionize Your Creative Capacity

During the long years of learning to master semantics, I've often had to push myself to work. Long laborious hours in the past have still with consistency enabled this moderate level of talent, when compared with the semantics of Johann Wolfgang von Goethe, and I write nearly every day, at some point, tens of hours a day when I changed from Finnish semantics to English because of the lack of accuracy in Finnish semantics, caused by significantly less amount words. I labored myself until the threshold of writing being burdensome disappeared, wrote with an altered form of Andre Breton's automation writing without any time to premeditate what I was about to write until I mastered to create logical sentence structures at such pace, and with the ambition of my youth, I remember even writing myself to such exhaustion that I had to spend my evening times solely to recover for the following one. But there is still one turn that must be taken in order to be able to invent multiple abstractions a day, and it is to explore the possible. I didn't first think it would be possible to write ten to twelve pages of quality literature a day, but when I turned myself to think how it could be possible, I did what you just read above to make it possible, while also systemizing the creative process, writing progressively advancing headings of chapters as the mainlines and keywords of what each chapter would deal with under them, and saving each chapter to my computer to different files so that the page numbers wouldn't distract me, and so that I could have a fast access if I happened to invent something to add to one of them. By also writing down all the already invented abstractions into a list, and creating a book of reference material by reading through an estimated thousand studies and collecting citations from them, were both, one of key ideas to optimize the already systemized creative process.

An individual can trust to his/her nature's ability to adapt to master skills the mind is set to obtain. But nothing comes in a blink of an eye, and if one is to create something extraordinary or obtain extraordinary skills, then one must practice in extraordinary manner his/her skills and visions. As a person, Dali was far from ordinary, but so were his works. The mind-set of exploring the possible from the extraordinary is what later made Dali we know, as the imaginative moments when Einstein rode a photon later led to the creation of the theory of relativity, but how ordinary is it to ride a photon in one's mind? For studying the powers of the information driven continuum, I enjoy closing my eyes and imagining the past realities that have already existed here, how the continuum of this Earthly reality transforms into this form, and from that point, consider just how important it is that I do not make compromises while I interpret the religious beliefs with the universal language of science, as they are for the emerging futures that aren't yet formed at the moment I'm still writing them down, for all author's influence to the forms the futures take, as does the waitress at a coffee shop.

Knowing how things aren't tell as much as how things are, but thinking why is it impossible for one to do something may just prevent one from exploring the possibilities that non-the-less existed. A Hubble telescope and the invention of the wheel must have seem like madness for some period time, but extraordinary is hardly a psychiatric condition. The daily phenomena appear in an instance, and the more attached to them one becomes, the more impatient one can be expected to be. But with patience of an athlete, studying the possible and the extraordinary, creative capacity is bound to expand.

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