Free Music Improvisations On Solo Piano By Mehmet Okonsar
The abilities of creating on the spot (i.e
The abilities of creating on the spot (i.e. improvisation) may apply to numerous distinctive capabilities, communication as well as expression across all artistic, technological, physical, mental, educational, and even non-academic specialties. For instance, improvisation can create an important contribution in music, dancing, preparing food, presenting a speech, profits, own or perhaps romantic relationships, sports activities, floral arranging, martial arts, psychiatric therapy, as well as way more.
Approaches connected with improvisation are vastly trained throughout the entertainment arts; for the purpose of illustration, music, theater as well as dance. To "extemporize" or even "ad lib" is identical to improvising.
Colloquial phrases like "let's play it by the ear", "have it as it comes down" in addition to "produce this up as we go alongside" are used to summarize "improvisation."
The abnormal and very long titles of the pieces in the CD "Shadowy Arcade" are usually set-up right after the music is taped by Okonsar. The Belgian artist Mehmet Okonsar says that he peered with regard to literary quotations which seemed to him suggesting and atmospheric. "Aura" is actually in fact what virtually all the actual Disc is about. The particular pieces were originally not arranged in any kind of preset option affirms the performer.
The tracks of the CD are: "He has snatched away the thunderbolt from heaven and the scepter from the sovereign"; "Briefly thyself remember" (Lear); "Every hero becomes a bore at last" (Emerson); "What stronger breastplate than a heart untainted" (Henry VI); "A change came o'er the spirit of my dream" (Byron); "Such stuff as dreams are made of" (Tempest); "A merry heart goes all the day" (A winter's Tale); "Angel visits few and far between" (Campbell); "The gods too are fond of a joke" (Aristotle); "Flowers preach to us if we will hear" (Rossetti); "Illusion is the first of all pleasures" (Wilde); "I give him joy that's awkward at a lie" (Young); "Beauty born of murmuring sound" (Wordsworth) and "As Morning Light Breaks" (Bob Dylan).
Cited through Campbell: "Angel visits few and far between", track eight, happens to be the perfect naive melody, however, inside that seemingly elementary arrangement Okonsar, composer, conductor and musicologist in addition to pianist, features a mind-blowing complexness. Only an artist having merged a colossal musical and non-musical literature could drop out this type of intricate progressions.
Power is definitely the particular motif of the track number four: "What stronger breastplate than a heart untainted" (Henry VI). It is realized on the piano with somewhat a whopping and also massive "ecriture". One could feel the clashing armors and also the actual unique harshness of the actual design.
From Bob Dylan comes the quote used to title probably the most wonderful of all pieces: "As Morning Light Breaks", track n.16. Here we have an extremely rarefied harmonic texture and consistency. Fundamentally shifting around two chords a serpenting tune builds up.
The actual continuity in addition to the particular feeling of coherence is definitely awesome within Mehmet Okonsar's performances. The works executed form a well elaborated history. This is really the consequence of a dedication towards the composer's clues as well as it is handed down through the terrific artists, Mehmet Okonsar acquired the particular privilege of studying with. They are Alexis Weissenberg, Jean Claude Vanden Eynden as well as partially Eduardo del Pueyo.
Everyone knows the fact that a good singing voice is bound to have a lot of power without any ever forcing it. Each and every nuance comes the natural way, practically easily. Well the same is correct for pianists. Just about every single nuance have got to come equally easily from a ideal pianist's fingers.
After about a year and half learning at the Ankara Conservatory, the Okonsar family moved to Belgium where Mehmet got into the class of Jean-Claude Vanden Eynden at the Brussels Royal Conservatory of Music.
Even at his earliest public appearance in 1979, the actual eclecticism associated with his recital programs into the future might be viewed. He presented a collection of the Preludes by Messiaen amongst others.
The piano studies of Okonsar ended with all the highest honors any student may ever get at the Royal Conservatory of Brussels. "Premier Prix avec Distinction", performing the "Dante Sonata" by Liszt and then "Diplome Superieur de Piano Avec la plus Grande Distinction, Premier Nomme", in 1986, performing the Piano Concerto Op. 42 by Arnold Schoenberg.
Continually in need of mastering a lot more, Okonsar went after that still at the Brussels Conservatory, on Composition and Orchestration classes and once more he had the perfect teachers obtainable: Madame Jacqueline Fontyn the foremost Belgian composer and occasionally he also studied with a student of Messiaen, Claude Ballif.
Right after being a Belgian national, Mehmet Okonsar and his spouse Lale, artist went back to Turkey following an invitation by the President Suleyman Demirel who presented him the particular most sought-after title of "State Artist of the Turkish Republic".
"In reality I usually do not reside in Turkey but in the Internet" says Okonsar.
He's got engineered an awesome reputation on the Net, operating several web sites, weblogs and publishing businesses.
He's the actual producer of his personal records and books.
On the other hand his true jumping board has been in Utah, the sixth prize at the "Gina Bachauer International Piano Competition", 1991.
His experimental activities wouldn't get unseen either, the "Academie des Arts Contemporains" of Enghien, Belgium offered him together with both Gold and Bronze medals for his acoustic as well as electro-acoustic compositions.
On occasion he endorses the position of a judge in selected piano contests for example the National Piano Competition of Japan in the auspices of the P.T.N.A. ("Piano Teachers National Association").
Doing work frequently on technical things, as he comments "the actual technology may just "free" the artist", his studies were offered in a lecture at the Yamaha head office in Hamamatsu, Japan.
His repertoire includes a selection from the early seventeenth century ("The Fitzwilliam Virginal Book") together with composers, amongst others, Orlando Gibbons and Giles Farnaby and also reaches late 20.th century with the works by Karlheinz Stockhausen as well as Witold Lutoslawski.
Notable works within this repertoire are: J.S. Bach "The Art of Fugue" carried out on organ (or piano) as well as harpsichord; the Goldberg Variations, the integrale of Well-tempered Keyboard.
by: Jose L. Brophy
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