Indian Wholesale Saree Supplier
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How to Drape a Saree:
Before you Start
Two essential parts of attire, that go along with the Saree, need to be chosen carefully to compliment the Saree. These
are:
A petticoat which is a waist-to-floor garment, tied tightly at the waist by a drawstring. The petticoat color should match
the base sari color as closely as possible. No part of the petticoat, of course, is visible outside the Saree, after having
worn it.
A blouse which needs to be tight-fitting and whose color needs to be chosen keeping the look of the saree in mind, can be
short sleeved or sleeveless, with a variety of necklines. The blouse ends just below the bust.
Wearing a Sari the Traditional Way
* Step 1. Around your body. Starting at the navel, tuck the plain end of the saree into the petticoat and continue tucking
till you take a complete turn from right to left. Adjust the lower end of the saree to the height required. Ideally wear
your footwear so that you drape the saree to the right length.
* Step 2. Measuring the pallu. Hold the top edge of the saree where the pallu is and bring it around your hips to the front
and over your left shoulder, thus measuring the length of the pallav or pallu. The pallav should hang down the back to the
knee. You may pin your pallu to your sari blouse provisionally.
* Step 3. Making pleats. Create pleats with the saree. Make about 7 to 10 pleats and hold them up together so that they
fall straight and even. Tuck the pleats into the waist petticoat slightly to the left of the navel, taking care to see that
the pleats are turned towards the left.
* Step 4. The pallu. The remaining portion of the saree must be turned once around the body and then draped over the left
shoulder. Arrange the pleats on this part of the saree and then pin them up on the left shoulder to prevent the pallu from
falling off.
This is the most common method to wear a saree. With matching bindi and jewellery you feel like a complete Indian woman.
Different Ways of Wearing a Sari
Different regions of India have their own distinct forms of draping a Saree. Some of these are outlined below:
Gujarati way: This version of draping, ccommonly known as the seedha pallu way, is also found in parts of Uttar Pradesh,
Madhya Pradesh, Rajasthan and Bihar. Instead of opening to the left, the pleats are tucked so that they open to the right.
Then, the pallu is taken to the back and brought over the right shoulder. It is then spread across the chest, and the left
edge is tucked in the petticoat at the back.
Maharashtra method: Instead of the usual five-and-a-half meters, the sari in this version measures eight meters. One
portion of the sari is drawn up between the legs and tucked in behind at the waist, while another portion is draped as a
pallu over the bosom. Thus it forms a kind of divided sari, allowing greater freedom of movement.
Tamilian version: Like the Maharashtra version, the sare in this version, too, measures eight meters. After wrapping around
the waist, the pleats are positioned along the left leg. The rest of the sari is taken over the left shoulder, wrapped once
again round the waist and tucked on the left side.
Bengali style: The saree is worn pleatless; it is wrapped around the waist, brought back to the right side and the pallu is
thrown over the left shoulder. The pallu is then brought up under the right arm and once again cast over the left shoulder.
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Benarasi Saree
Banarasi SAREE In the world of fashion GBanarasi SareeG remains the Indian GSUNG and has been a subject of great
inspiration and appreciation for world-wide costume connoisseurs. These proposed episodes would try to fathom its
historical continuance, record its traditions which goes from generation to generation and unveil the intricacies which
goes towards making this Banarasi Saree an art and aesthetics. In short it would enter the subject from the raw materials
and show the process to the final product and packaging.
It was in the Mughal era Baranasi saree came into popularity and got fashion currency. Today these sarees are being
exported world-wide. Around 125 km of Varanasi this art of making Banarai saree is surviving since olden days. It was
during the mughal times when all arts be it persian, rajasthan or other indian school got amalgamated to create a fusion of
aesthetics. Same goes for costume as well. The persian motifs and Indian designs on silk texture studded with gold and
silver remained the cue of Mughal patronage. Elaborate pure gold and silver designs are today rare still the zari has
rightfully taken its position as an apt replacement.
Today there are mainly four varieties of Banarasi saree available. Those are Pure Silk (Katan); Shattir, Organza which is
fine kora with zari and silk works and finally the Georgette . If you go to varanasi you would find some 10,000 shops
selling Banarai Saree which is more a cottage industry for several million people around Varanasi which includes Gorakpur
and Azamgarh as well. Around 60 percent of artisans are Muslim for whom weaving this art is their tradition. Ramzan Ali,an
old traditional weaver said GAfter the partition of India people tried to take up this art GBanarasi SareeG in
distant land but could not produce an equivocal qualityG.there is something in this earth which makes the creation of
Varanasi Saree possibleG.
During mughal era the raw material i.e. silk used to come from China and today those are replaced with Bangalore silks
where sericulture is an unique industry. The fineness of silk is gauged Daeonir and quality varies from 16-18 Daning to
20-22 Daning. Still today silk from Chinese powerloom is in great demand which comes via Nepal. Resham cotton and zari also
come from Surat which remains the cotton belt for over several centuries.
The process of making Banarasi saree with the colourful dying of the Silk. Those silks are then sold by weight. And
powerloom people take them to weave the basic texture of the saree. In the weaving warp they create the base which runs
into 24 to 26 mts. And there are around 56 00 thread wires with 45 inch width. Two person tie a rope in their waist to hold
the form and other is grounded. In an elaborate process every inch, which contains 120 silk wires, is created. Its art to
be seen only.
At the weaving loom three people work one weaves,one dye and other work at the Revolving to create lacchis. At this
juncture another important process is initiated. This is designing the motifs. There are several traditional artistis
available in Varanasi who might not be educated but can create wonder designs for Saree.
To create GNaksha PattaG the artist first draw on the graph paper with colour concepts. Now those designs are of
varying kind .But most universal kinds are Caixg(Kalka), Buti and flower and foliage. There scene of village, fairs ,cloud
,dancing-monkey design. And even one can see temple and mosque design. However, it was matter of experience that in one
Bride saree there were designs of GGrave-yardG as well. This became the functional aspect of art which is not far off
from the people life cycle. In modern days one can see geometrical designs have come in, but it lacks appreciation. As
traditional folk design remains the base appeal for Banarasi Saree.
Once design is selected then small punch cards are created those are guides for particular which colour thread has to pass
through which card at what stage. One Haquim Ali says for one small design one requires to create hundreds of perforated
cards to implement the concept.
Once those perforated cards are prepared those are knitted with different threads and colours on the loom and according to
design those are paddled in a systematic manner that the main weaving picks up right colour and pattern to create the
design and weave as well.
In yesteryears Banarasi Sarees used used to have designs with original gold and silver thread and one manufacturer used to
take even an year to create one saree. Yet, those saress could fetch several lakhs for the weaver. However it all depended
on the intricacy of designs and pattern A normal saree takes around 15 days to 1 month and the time limit stretches even
unto 6 months.
Once the saree is created those come to Gol Garj and Kunj Gali where Banarasi sarees are sold in wholesale rates. There
several hundred shops where every morning people from different villages come to deliver GcreatedG sarees to the
market. There are some 10 shops whose turn over they say even cross 80 crores in toto.
Thus we see for creation of Banarasi Saree one requires different experts right from the gauging the quality of Resham
until marketing. All these goes towards creation of the unique saree which is envied by saree weavers from all over. Its no
simple weaving rather those are functional art of India which is going on for centuries within a great fabric of Indian
traditional weavers.
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Traditional Indian Clothing :
Indian attire is as varied as it's subcultures. Just as each region has its own language, food and lifestyles, so also it
has its own traditional mode of dressing. A half sari worn to college in the southern states would be subject to ridicule
in the northern or western regions. Intermingling due to social changes and improvement in communication has managed to
give India a pan-Indian look. People from all subcultures are slowly giving way to a more uniform form of dressing.
Men these days usually wear a trouser along with a shirt and women wear the sari or the salwar. Traditional clothes are
still worn in traditional ceremonies or in the interior pockets of the country. Also more and more women are taking to
western wear (the skirt and the pant, with shirts), specially the youth and people in large cities.Many Indian women wear
earrings, nose ornaments and brightly colored bangles. Some paint a dot of color or apply a readymade Bindi, on their
foreheads. The bindi is also a fashion statement and may be matching to the color of the dress or to the personality
(large, small etc).
Six yards of cloth, that is all there is to the saree. Yet, this dress worn by millions of Indian women is, by far, the
most elegant. It is not merely an outfit but an ornament, lending both grace and glamour to the wearer. More important, the
saree epitomizes the continuity of an age-old tradition that has withstood the onslaught of many different cultures, to
emerge today as a visible symbol of the resiliency, continuity and timelessness of the Indian way of life.
Each region displays a different style of draping it. This is shaped by the lifestyle and the religious inclination. The
urban Indian style is by far the most common. Stiff tangails, flowing silks, elegant chiffons and heavy brocades - all of
them can be easily maneuvered into this style. Tied around the waist, the saree forms a skirt with the pleats positioned in
front thus allowing for free movement. The pallav or the part draped over the left shoulder is either pleated and pinned up
the convenience, or is left flowing loose for glamour.
This seemingly cumbersome garment is in reality an extremely versatile, meaningful and adaptable one. It suits every
possible occasion, every possible activity. Washing and cleaning, carrying firewood back from the forest in the anchal
(pallav) or walking long distances, can all be easily executed in a saree.The saree is worn with a short blouse or a choli,
covering the upper body. The blouse is also worn with a skirt called a lehenga or ghagra. A long scarf called a duppatta
(aka orna, orni, etc.) is commonly found to be part of various dresses including the salwar- Kameej and Ghagra - Choli or
the Half saree. Headgear is a prominent part of the Indian attire.
The ladies generally use the dupatta or the pallav (edge) of the saree to cover their heads. The men use turbans and caps
of various types. The Muslims use a different cap (topi) from those in the northeast and the Sikh turban forms an essential
part of his identity and is very different from the ones worn by others on festive occasions.
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Indian Traditional Attire :
Indians express themselves through their attire. Their spiritual pursuit for excellence is highly reflected by the
selection of their splendidly decorated, strikingly vivid and elegant garments. The Indian fashion speaks thousand words
with their extravagant and vivacious colors knitted into elaborate and flamboyant designs religiously followed throughout
the country.
Indian attire for Women
Shalwar Kameez or Salwar Kameez: Indian Salwar Kameez is an outstanding piece of garment which can be worn on both casual
and formal occasion. It is elegant clothing with its eye-catching quality and comfort. The diverse variety of Indian
fabrics and rich hues embellished with hand made or machine embroideries, lend this garment an extremely attractive look.
Salwar is a loose-fitting pajama-like trouser worn compactly around the waist while Kameez is a long tunic worn over the
salwar. The traditional kameez come in long tunic form but the contemporary versions are available in all kind of lengths,
designs and colors.
Earlier, salwar kameez was optional attire in Punjab and Kashmir but due to its growing popularity in India, the attire is
not only a craze among young girls but has been donned by many international celebrities like Goldie Hawn, Hillary Clinton,
Late Princess Diana and Jennifer Lopez at prestigious events.
Saree: The saree is multipurpose attire. It is five to six yards in length and accentuates the personality of women of any
size or shape. The style of draping and texture differs according to traditions of a particular state and the womanGs
social standing.
Sarees are available in cotton, silk, georgette, kanjiwaram, knitted and other fabrics along with different designs. The
contemporary versions are a perfect blend of modern and traditional designs. They are available in embroidered form,
lehenga style, traditional designs (paithani, maheshwari, tanchoi), partywear, bridal wear, sarees with French lace,
Bandhej, printed etc.
Lehanga: Lehanga is a creased skirt worn traditionally by Rajasthani women with a choli. The Lehanga is tightly drawn at
the waist and when teamed with short blouse/ choli, it leaves the back and midriff uncovered. To complete the look, a
duppatta can be worn either to cover the head or over the shoulders.
Choli: The tight fitting petite blouse donned under a saree or over a Lehanga is known as a choli. Traditionally a choli
was worn to cover the front part, but the latest versions have redefined its use and have revamped it in the form of long
compact blouse which can be worn on formal occasions. The conventional form of choli is still donned in western Indian
state of Rajasthan.
Indian attire for Men
Kurta Pajama: A loose fitting shirt without collars is known as Kurta. It is worn over Pajama which is drawn at waist. Men
can pair this ensemble with a bandi or waistcoat and a shawl.
Achkan: A tunic with full sleeves and round neck with a length of 3-5cms higher than the knee is known as Achkan. It has a
flowing front breaching from the middle and is secured with buttons and button outlets. It appears like a Sherwani but is
different in length and design.
Angarakha: Traditional Rajasthani attire, Angarakha is widely admired in Indian states of Madhya Pradesh, Gujarat and
Maharashtra. It is worn over a pajama or churidar. The attire is available in different designs and engraves. Angarakha are
of two types namely, long angarakha extending below the knees and frock style Angarakha which is waist length.
Sherwani: An extended coat similar to achkan in design is known as Sherwani. It extends below the knees and is fastened up
to the collar. It is teamed above a dhoti, salwar or churidar. In contemporary scenario Sherwani is considered as a party
wear and is perfect for marriage occasions. The history of the attire can be traced back to Delhi Sultanate and Mughal
Empire which ruled India for considerable amount of time.
Dhoti: Conventional Indian attire for men especially in rural areas, Dhotis exhibit oneGs reputed standing and admiration
for Indian traditions. Dhoti is a disentangled piece of garment which is 7 yards in length and is rectangular in size. It
is secured around the waist and the legs.
Lungi: The tradition of sporting lungis differs from state to state. It is generally available in cotton fabric and varies
in designs and colors. In Kerala, Lungi is worn as informal attire. Lungi in natural white color is referred as Mundu which
is sported in formal events like weddings. Mundus with golden needlework is called a kasavu. In Indian states of West
Bengal and Punjab, Lungi is an informal wear donned by men regardless of class and caste.
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Indian Fashion Clothing :
India has been known to have wonderful dresses and costumes. Though the majority of Indian women wear traditional costumes,
the men in India can be found in more conventional western clothing. Tailored clothing is very common in India as women's
blouses have to be made-to-fit. Clothing for both men and women has evolved and is keeping designers busy.
Women's Traditional Clothing
The traditional Indian dress is the Sari which can be worn in many ways. Underneath the sari one wears a Petticoat: - a
waist-to-floor length skirt, tied tightly at the waist by a drawstring and a Choli : a blouse that ends just below the
bust. The Salwar Kameej is the second most popular dress and is gaining in popularity fast with the younger generation. The
Salwar Kameej too has had many design changes. The new designers have come up with great variations of the Salwar Kameej.
Women also wear Lehangas.
The Sari : The age old Sari has kept its popularity throughout the centuries because of its total simplicity and practical
comfort, combined with the sense of luxury and sense of sexuality a woman experiences. For a single length of material, the
sari is the most versatile garment in existence. A sari is a rectangular piece of cloth which is five to six yards in
length. The style, color and texture of this cloth varies and it might be made from cotton, silk or one of the several
man-made materials. The sari has an ageless charm since it is not cut or tailored for a particular size.
A Brie
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