The Girl With the Dragon Tattoo
The Girl With the Dragon Tattoo
The Girl With the Dragon Tattoo
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The Girl With the Dragon Tattoo
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"Girl with the Dragon Tattoo" is based on the book of the same name as the author Stieg Larsson. It is a Swedish film with subtitles, but do not be discouraged that you have. The film captures the immediate attention when Lisbeth Salander (Noomi Rapture), enters the room. She is a young punk who was hired to work with Mikael Blomkvist (Michael Nyqvist), investigative journalist who has just lost a libel suit against the corrupt CEO of Swedish. Blomkvist is hired by Henrik Vanger (Sven-Bertil Taube), CEO of older Vanger Corporation. Henrik wants to murder her niece Harriet Vanger captured. Disappeared from the family collection of forty years ago on their own island and inhabited by relatives Vanger. His body was never recovered, but her uncle who wants to find the murderer, and he is definitely a dysfunctional family Vanger.
Odd couple of detectives, Mikael Blomkvist and Lisbeth Salander well together. Lisbeth is a genius at computers and hacking sites. Mikael has good analytical skills and gradually finds new evidence that action by Lisbeth. A few references to the disappearance of Harriet series of bloody murders of forty years ago and opened a Pandora's box and the torture of suspects.
This film is a must, but keep in mind that this is cruel and a bit "more than half of the movie - about three hours.
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Gripping, complex film based on riveting novels
This film is an amazing adaptation of the complex novel(s). It is almost mandatory that one has read at least the first & hopefully the second in the Millennium series. There are subtle references to the second novel in this film. The acting is superb tho' initially it may rival our preconceived images of the characters based on the novels. Noomi Rapace deserves an Oscar! The cinematography also requires special mention. Most scenes occur in the cold, gray, icy environs of the north, covering "all the evil" that lies smoldering beneath. Then there is a burst of gold & warmth in a glimpse of the Australian outback. I eagerly await the next two Swedish films as I doubt the US versions can reach the magnitude of this interpretation.
Do read these books. Do see the film if it plays in your area (or pre-order it from Amazon).
A terrific film you will not forget -- but PLEASE: Leave the children home.
My husband and I viewed this film only by very happy accident. There was almost no publicity, and there were very few people in the audience, in Seattle, a film-savvy city. The sparse attendance was really too bad, as this is one of the most exciting films we have seen in at least twenty years.
Naturally, the film spurred me on to reading the books -- all three of them -- over a long weekend. The books, by Stieg Larsson, were absolutely amazing. It breaks my heart that there will be nothing further from this gifted storyteller, who died suddenly without seeing anything published.
I read somewhere (don't remember where) that Mr. Larsson had originally planned a ten-book saga. He delivered three finished manuscripts to his publisher, was polishing the fourth and had outlined numbers five through ten. Evidently his father took charge of Mr. Larsson's literary estate, bypassing Mr. Larsson's life partner. Mr. Larsson, Sr. has decreed that nothing more of his son's work will be published. I believe that he is being challenged by the life partner in the Swedish courts.
About the film: The setting is present-day Sweden. We are introduced to three characters who initially seem to have no relation to one another.
The first is an elderly gentleman, Hendrik Vanger (Svwn-Bertil Taube), the unexplained disappearance of whose favorite granddaughter Harriet, 40 years earlier has caused agonizing, unresolved grief. As a child and young teen Harriet had been giving Mr. Vanger a framed pressed flower for his birthday. After her disappearance, Mr. Vanger has been tormented by having received in the mail similar flowers for each of his following birthdays -- no explanations, no letters or notes.
The second is an idealistic journalist, Mikael Blomkwist (Michael Nyqvist), who works for a fearless monthly publication called Millenium. Mikael specializes in ferreting out economic wrong-doing in huge, megalithic corporations. As we meet Mikael, he has just endured the loss of a libel suit brought on by his latest target. He is facing a deferred six-month term in jail.
The third is Lisbeth Salander, portrayed with incredible, raging intensity by Noomi Rapace, a phenomenal 24-year-old Swedish actress whose faultless portrayal of the damaged Lisbeth is a wonder to behold. In the books, it is speculated that Lisbeth might be suffering from a form of autism called Asperger's Syndrome. However, by the end of the third book it seemed plain to me that her inability to interact emotionally was a result of unspeakable traumas that occurred during pivotal periods of her life.
The plot lines have been nicely related by other reviewers, so it is not necessary that they be reiterated here. I do, however want to mention a couple of items that I have not been able to get out of my mind.
First, there is an amazing long tracking shot of Lisbeth limping home after having suffered a brutal rape by a person whose job it was to protect her. Instead, he uses the power differential between them to have his way with her in a particularly ugly manner. It is obvious from Miss Rapace's portrayal that Lisbeth is in severe pain, both physically and emotionally. But you can also tell that she is experiencing a hot, hot fury -- and ultimately she exacts her revenge. In kind.
Second, there is a back-flash scene where 12-year-old Lisbeth sets someone on fire. This is the one scene that should have been omitted, in my opinion. After having read all three books, one understands this scene when put in its proper context. For me, the context was wrong. At the time of viewing, it served as a distraction from the rest of the movie. In retrospect, however, it seems like such a picky little criticism!
It has been suggested that folks read the books, at least the first and second ones, before seeing the movie -- a very good idea. There was a lot left out of the movie that would have enhanced it.
Perhaps some kind soul will release the original Millenium series from Swedish television, complete with bonus materials and voice-over commentary. Before the inevitable American version comes out. Would anyone dare try a remake of Casablanca? Of Citizen Kane? Perhaps, please God, cooler heads will prevail in Hollywood. How does one improve upon perfection?
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