Watch Hemingway's Garden of Eden Movie Megavideo Online
Watch Hemingway's Garden of Eden Movie Megavideo Online
When we shot "Three Burials," I had made a choice that I lean back against the car when I told Pete [Jones' character] I knew who killed his friend. I lean back against the car. Suddenly, Mr. Jones was there: "Stand up straight!" I stood up straight. I wasn't happy about it, but I stood up straight. Some long time later, I saw the film for the first time and when the character stands, the Texas sun is setting right behind my head, which it would not have been if I was leaning back.
So ...THR: I guess you were also racing against time. Independent films don't have the money of studio projects.Rockwell: There's a huge difference. But at the end of the day, you're doing the same job. I just worked a big, honking-ass-budget movie called "Cowboys & Aliens." Now there's a lot of waiting around. The end result might be amazing, but there's a lot of waiting around. Then there's low-budget movies where you shoot in 23 days or 33 days -- we shot "Moon" in 33 days -- but sometimes that's too short. You get three takes on a very emotional scene or one take and they don't even get a safety. What's nice to do is a medium-sized film. That's really the perfect way to go. THR: Those are exactly the kind of movies that are getting made less frequently. Darren Aronofsky and Werner Herzog Rockwell: I know, I know. It's all relative to what you think is medium. THR: Oren, you spent $15,000 on your first film, "Paranormal Activity." What would you have done differently with more money?Peli: It worked out perfectly. I was going to spend $10,000 on it, so I actually went over budget. But the fact that it was low-budget added credibility to the premise. Probably the only difference was in post; I would have farmed out some of the visual effects instead of doing them myself.THR: Do you have a dream movie you want to make?Peli: There is one. I'm not going to discuss it. It'll be more traditional. Herzog: I think there's a common denominator between a studio movie and what we are doing "independent" -- very huge quotes around this word. As directors, we should try to be responsible in terms of spending money, so I have never been over budget in more than 50 or 60 films.
And I've been under budget five or six times, quite notably in "Bad Lieutenant." [I was] $2.6 million under budget, and this is unheard of. Why? Because I know what I am doing and my shooting days are normally over by 2-4 p.m. I shoot what I need for the screen. In a way it is risky, but you can do it if you know what you want, if you have a clear vision. A clear vision, by the way, is also one of these prerequisites for doing a good film. If you have a clear vision, then you persevere. But I would be cautious to speak about "independent cinema." It is a myth.THR: Does everybody agree with that?Rockwell: Well, what is independent cinema now? HBO is doing independent films.Peli: You can separate [elements]. The production process [on "Paranormal"] was as independent as could be, but it still needed the support of the studio to get it out there. It may be [there's] a process that's more independent and a process that could be more studio, but in the end of the day, you do need someone to pick it up for people to see it.Herzog: Of course, when you do "independent" cinema you can do certain things that the studio system would not allow. In "Bad Lieutenant," I had a feeling that there should be an iguana on the coffee table. I filmed it in such a mad, demented way I told the producers, "Listen, I'm including iguanas now in the scene. You may take me out of the set when you see that, but I'm going to do it." They were all alarmed and they looked at the footage and they found it totally hilarious.
A regular studio production company would carry me out in a straitjacket. And that's the beauty of what we are doing.THR: What's the most dangerous thing you've done for a film, Werner?Herzog: I've done quite a few dangerous things. I've been seriously shot at, and I've been shot, actually, while on camera. I was shot at and missed, which is always a pleasant feeling. I've ended up in jail and I lost my front teeth, being knocked in with a rifle butt, and all sorts of stuff. But it's OK and I've never been frivolous with dangers. [Shooting on top of a live volcano, a cinematographer] asked me, "Werner, what's going to happen if the mountain explodes?" The only sure answer, I said, was, "Edward, we will be airborne."
His glasses were fogged over. So he cleaned his glasses for a long time.Now, when you all hear this, do you think, "Yes!" Or do you think, "This is crazy and I will never work with Werner Herzog"?Leo: I'd have no trouble.Keener: Sounds good to me.Herzog: And I've tested the dangers myself, before anyone else would do it. Christian Bale in "Rescue Dawn" had to eat live maggots. Nobody ever does that unless I've demonstrated, yes, it's OK to eat maggots.Rockwell: Jesus! Christian is a dedicated man.
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