Yan Jin And Southern And Northern Dynasties And The Sui And Tang Yan Difference

Yan Jin And Southern And Northern Dynasties And The Sui And Tang Yan Difference

Northern and Southern Dynasties period, because the ink on the shape was improved, no longer stick with Yan, Han ago as the grinding out of the bondage equipment is Yan's initial development period. Yan this period, there are two characteristics: first, popular Tao Yan, round, rectangular shape and Kei have Yan feet, to increase the height of Yan to adapt writing was on the grounds of the habit of using Aiji. Second, Yan has three legs, 5 feet, 6 feet, 8 feet.

This period of Feng mostly rectangular and square feet Yan Yan, but the stone, "Lee scratching the-road" features are not prominent, the material on the stone did not ask too much of the United States.

Sui, Yan process is a system of continuous development, continuous improvement period. Since the emergence of painting and calligraphy paper, pen and development process streamlining, paintings and calligraphy, prosperous and developed, more extensive use of Yan. People on the ink stone ink made fine hair, moisture does not harm cents, etc., on the ink stone material, shape, decoration is also a new understanding. These are the system Yan process led to a higher level of reason.

Sui and Tang dynasties, in Yan in, inkstone not found before, Cheng Yan began to thrive mud. Such Tao Yan, with their "Jin Yi ink with" outstanding performance as the Tang Dynasty famous ink. Cheng Yan famous mud, indicating a strong emphasis not only the Tang Dynasty, and more concerned about whether the ink stone surface grinding the ink very quickly. Later, in Guangdong Zhaoqing (Tang Dynasty Duanzhou), Shexian Anhui, Gansu Gannan Lintan (Tao Tang of the state), and Shandong, Yan found a very large number of precious stone, "Mexico does not harm the hair cents" of Yan in and "Shibuya without leaving pen, do not resist slip road" Inkstone to Chinese aware of the natural inkstones not necessarily worse than the man-made, carved from this system of Feng Tai Hing. Shandong Lu Yan, Yan in Guangdong, Anhui inkstone, Gansu Tao Yan, known as the "four most famous ink." Tang Dynasty poet Li He exclaimed: "If God Duanzhou Stone Handicraft, ride a day cut Ziyun Brothers." Literati of the inkstone treasure, more than those who met with Yan Ming proud moment since, or requests to Yan-Ming Jiang Yan Ming engraved on the back or sides, to show the meaning of treasure. Such as the famous Tang calligrapher Chu Sui-liang Yan Yan in the end in a square carved Yan Ming Chuan flow known to the world, its inscription as: "Run to side around than German, Yu-Chi Huang Yongnian injection days, for the good treasure of Sri Lanka. Katsuyoshi Ming. "

Sui and Tang dynasties, the ink stone variety of materials have emerged, such as ceramic ink stone, not only the mud Cheng Yan, there are three-color glazed porcelain Yan, 22 foot round Tao Yan, Gui Xing Yan tile, brick Yan, Vatan Yan and so on, which is Yan Yan base tile is not a small faction. Used is selected from the Qin to the waste inkstones palace debris-damage, Sui Wa, slightly adapted from. W Yan Yan has Metrical W, Wei Yang Palace W Yan, Yan, etc. Dongjak-watt station. Late Tang and Five Dynasties Qingzhou have a iron Yan, Yan body with handle, can the Executive may hold, hair ink has good performance, very popular at the time, "worn out iron ink stone" story that is out of this.

Yan Tang Dynasty more than a round shape and dustpan, which is not their style high table, people were kneeling on the seat, with Aiji writing painting, ink and no ink on the court and the ink tank, but more Poly ink it, ink made of the side of the foot slightly, so slightly slanted, the ink stone surface, as is easy to Tian document.

Five Dynasties, the high-rise type of furniture, painting all the people writing on the high leg Zhuoan, so no foot platform became popular type of ink stone, ink stone's shape is also increasingly diverse.

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