Thankfully, Udaan returns to normalcy with Aazaadiyan-Pairon Ki Bediyan' which goes back into the same mode as the earlier tracks in the album.
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Amit Trivedi, Neuman Pinto, Nikhil D'Souza and Amitabh Bhattacharya come together for this soft track that again reminds of many a song that find an acceptance amongst the hostel crowds. Yet another track about breaking the rules, Aazaadiyan-Pairon Ki Bediyan' is practically composed in the same mode as Kahaani-Aankhon Ke Pardon Pe'.
A near 3 minutes piano piece by Felix Hug forms the theme' of Udaan. Soft and subtle, haunting and beautiful, this track (with additional voices by Joi Barua and Neuman Pinto) marks a good ending to the album which has the kind of tracks that actually go on to break quite a few rules when compared to core Bollywood outings.
OVERALL
Udaan is a good experimental album which means that it would require a very strong word of mouth to actually reach out to the audience. Absence of any star cast means that there is an additional effort required for the music to find a wider visibility. Moreover, the album is releasing only a fortnight before the film's arrival which means lesser time for promotion. Udaan is one of those albums that don't necessarily take a huge start at the music stands. However, the theme flavour of the album means that it should make an impact in the long run, especially if the film goes on to find patronage from audience.