subject: orthodox iconography studio [print this page] orthodox iconography studio orthodox iconography studio
Zoran Begenisic graduate master builder by freskopisac (SPC graduated from the Academy of Arts and Conservation) is the organizer of the works and the bearer of responsibility. A lot of experience with academic education was acquired in zivotopisanju iconostasis of churches and in Serbia and the Republic of Serbian participation in several well-known team and through individual work and on paintings and murals.
stylish direction that cherishes its determination of the workshop is in continuation to the base are determined by experience tradicionlog Serbian-Byzantine ways of painting and general form east-pravoslanog access to the art of technology represented in the work of the traditional (egg tempera, fresco plaster) on contemporary -adapted to modern materials (acrylic paint, acrylic based binder) icon painting techniques: traditional technique of egg tempera (pigments bind emulsion derived from egg yolk) is represented in the icon painting workshop. Gilding: the classic of 23-24 tickets for oil mikstionu. Sparkling gilding (gold polorano to high gloss), gilding the bolus.
DUBOREZ - workshop has fruitful cooperation with several masters of hand carving to the painting of the iconostasis, or individual icons have a choice of masters and style engraving. Schedule murals are determined in consultation with the competent priest - head, or expert committee, with the blessing of competent arxijereja.
Proceedings of the frescoes fresco running water rezredjenim colors in wet lime plaster. The dye is absorbed into mortar and drying is permanently connected. Color is chosen so as not to react with lime. In fresco painting, color image is given special attention (for durability). When the surface dries, causing the colors dissolved in water. Development of the frescoes is slow. Inflicted by natural dyes dissolved in water to wet surfaces, making sure to time and to start the image exactly as much as you can finish in one day, and connects to the neighboring kompozicijama.Boje after drying become significantly brighter.
Fresco painting process is very demanding and by sea to divide their work according to how much can a day to paint a fresco in the day remains constantly fresh mortar. The advantage of the frescoes is the continuity and svetlosnost color. On the basic rough plaster is applied wet burst of chalk drawings and auxiliary lines. After that is done in red brown prepared sketch called "Sinopie" by the color of which was from Sinope on the Black Sea. At the present time has been possible thanks to modern methods, some of ovakovih drawings reveal the ancient frescos. Then the image is divided as said at the parts that can paint in a day that are even less in case of image detail and these sections are plastered on the other layer to be painted.
