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Irritu, in the director's statement included with the press material for Biutiful, compares Babel to an opera and Biutiful to a requiem a mass for the dead, or music related to death and mourning. That's not an inapt comparison, but I would liken Biutiful as much to a epic, richly textured poem exploring the dual tragedies of life and death.
It's deep, it's moving, it's at times very hard to watch, especially if you are a parent, even more especially if you are a parent who has ever looked upon your own young children and wondered if death would be coming to take you away from them before you were ready to let go.
What happens to a life when a person dies? Not in the "afterlife" sense, that's not what Irritu's interested in here. This film is about what happens to you, to who you are, when your physical body is gone and all that is left of you are the memories that live on in those whose lives you've touched, and the things you leave behind: A photograph, capturing one brief moment in a life. A ring, handed down through the generations as a thread reminding us of the promise of love, whatever talismans we might leave to be held in safekeeping by those we leave behind, whatever things we might try to impart with all the meaning of our lives and our hearts and our souls, that those we must leave have something of us to hold onto, to cherish. I just saw this movie, and I can't stop thinking about it either. I can't even talk about it yet. This movie definitely touched me. An added bonus was that Javier Bardiem was there and I got to meet him and take a picture with him. He was so generous with his time. He's a funny guy, too. He consoled me when I met him and told me that the movie will stay with me for a few days.
The hardest movies to review are the ones you respect and admire but don't love and also and this is the crucial part aren't angered by. Director Alejandro Gonzalez Inarritu's Biutiful is just that sort of film. The story of Uxbal (Javier Bardem), a single father with terminal prostate cancer and the burden of a life without stability, is soulful, tragic and made with loving care. But it's also so gloomy that you're not sure who to recommend it to. Before sending anyone off to see it you would feel the urge to pack their pockets with a few provisos, such as these encouragements: Bardem is amazing (and was honored with the best actor award at Cannes for his work). If you believe in the afterlife, this one's for you. And, on a more practical note, this film will make you feel good about paying for life insurance and getting regular prostate exams (if applicable).
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