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Origins
Origins

Map showing sites where early ballcourts, balls, or figurines have been recovered

It is not known precisely when or where the Mesoamerican ballgame originated, although it is likely that the game originated earlier than 1400 BCE in the low-lying tropical zones home to the rubber tree.

One candidate for the birthplace of the ballgame is the Soconusco coastal lowlands along the Pacific Ocean. Here, at Paso de la Amada, archaeologists have found the oldest ballcourt yet discovered, dated to approximately 1400 BCE.

The other major candidate is the Olmec heartland, across the Isthmus of Tehuantepec along the Gulf Coast. The Aztecs referred to their Postclassic contemporaries who then inhabited the region as the Olmeca (i.e. "rubber people") since the region was strongly identified with latex production. The earliest-known rubber balls come from the sacrificial bog at El Manat, an early Olmec-associated site located in the hinterland of the Coatzalcoalcos River drainage system. Villagers, and subsequently archaeologists, have recovered a dozen balls ranging in diameter from 10 to 22cm from the freshwater spring there. Five of these balls have been dated to the earliest-known occupational phase for the site, approximately 17001600 BCE. These rubber balls were found with other ritual offerings buried at the site, indicating that even at this early date the ballgame had religious and ritual connotations. A stone "yoke" of the type frequently associated with Mesoamerican ballcourts was also reported to have been found by local villagers at the site, leaving open the distinct possibility that these rubber balls were related to the ritual ballgame, and not simply an independent form of sacrificial offering.

Excavations at the nearby Olmec site of San Lorenzo Tenochtitln have also uncovered a number of ballplayer figurines, radiocarbon-dated as far back as 12501150 BCE. A rudimentary ballcourt, dated to a later occupation at San Lorenzo, 600400 BCE, has also been identified.

From the tropical lowlands, the ballgame apparently moved into central Mexico. Starting around 1000 BCE or earlier, ballplayer figurines were interred with burials at Tlatilco and similarly styled figurines from the same period have been found at the nearby Tlapacoya site. It was about this period, as well, that the so-called Xochipala-style ballplayer figurines were crafted in Guerrero. Although no ballcourts of similar age have been found in Tlatilco or Tlapacoya, it is possible that the ballgame was indeed played in these areas, but on courts with perishable boundaries or temporary court markers.

By 300 BCE, evidence for the ballgame appears throughout much of the Mesoamerican archaeological record, including ballcourts in the Central Chiapas Valley (the next oldest ballcourts discovered, after Paso de la Amada), and in the Valley of Oaxaca, as well as ceramic ballgame tableaus from Western Mexico (see photo here).

Game

A modern Sinaloa ulama player. The outfit is similar to that worn by Aztec players.

As might be expected with a game played over such a long period of time by many cultures, details varied over time and place, so the Mesoamerican ballgame might be more accurately seen as a family of related games. It is known in Spanish as juego de pelota ("ballgame"), in Classic Maya as pitz, and in Nahuatl as ullamaliztli.

In general, the hip-ball version is most popularly thought of as "the" Mesoamerican ballgame, and researchers believe that this version was the primaryr perhaps onlyersion played within the masonry ballcourt. Ample archaeological evidence exists for games where the ball was struck by a wooden stick (e.g. a mural at Teotihuacan shows a game which recalls field hockey), racquets, bats and batons, handstones, and the forearm, perhaps at times in combination. The various types of games each had its own size of ball, specialized gear and playing field, and rules.

Games were played between two individuals and between two teams of players. Some games were played on makeshift courts for simple recreation while others were formal spectacles on huge stone ballcourts leading to human sacrifice.

Even without human sacrifice, the game could be brutal and there were often serious injuries inflicted by the solid, heavy ball. Today's hip-ulama players are "perpetually bruised" while nearly 500 years ago Spanish chronicler Diego Durn reported that some bruises were so severe that they had to be lanced open. He also reported that players were even killed when the ball "hit them in the mouth or the stomach or the intestines".

Rules

The rules of the ballgame, regardless of the version, are not known in any detail. In modern-day ulama, the game resembles a net-less volleyball. with each team confined to one half of the court. In the most widespread version of ulama, the ball is hit back and forth using the hips alone until one team fails to return it or the ball leaves the court.

In Postclassical times, the Maya began placing vertical stone rings on each side of the court, the object being to pass the ball through one, an innovation that continued into the later Toltec and Aztec cultures.

In the sixteenth-century Aztec ballgame that the Spaniards witnessed, points were lost by a player who let the ball bounce more than twice before returning it to the other team, who let the ball go outside the boundaries of the court, or who tried and failed to pass the ball through one of the stone rings placed on each wall along the center line. According to 16th century Aztec chronicler Motolinia, points were gained if the ball hit the opposite end wall, while the decisive victory was reserved for the team that put the ball through a ring. However, placing the ball through the ring was a rare eventhe rings at Chichen Itza, for example, were set 6 meters off the playing fieldnd most games were likely won on points.

A ball player from a Maya vase, 650-800 CE. This well-dressed player is wearing a large yoke, painted and fringed deerskin hip guards, and an extremely elaborate headdress. He is dropping onto his knee(pad) to strike the ball, which is exaggerated to huge proportions.

Clothing and gear

The clothing, headdresses, gloves, all but the stone, have long been gone and we must rely on art paintings and drawings, stone reliefs and figurines to provide evidence for pre-Columbian ballplayer clothing and gear, which varied considerably in type and quantity. Capes and masks, for example, are shown on several Dainzu reliefs while Teotihuacan murals show men playing stick-ball in skirts.

The basic hip-game outfit consisted of a loincloth, sometimes augmented with leather hip guards. Loincloths are found on the earliest ballplayer figurines from Tlatilco, Tlapacoya, and the Olmec culture, are seen in the Weiditz drawing from 1528 (below), and, with hip guards, are the sole outfit of modern day ulama players (above) a span of nearly 3000 years.

In many cultures, further protection was provided by a thick girdle, most likely of wicker or wood covered in fabric or leather. Made of perishable materials, none of these girdles have survived, although many a stone "yoke" has been uncovered. Mis-named by earlier archaeologists due to its resemblance to an animal yoke, the stone yoke is thought to be too heavy for actual play and was likely used only before or after the game in ritual contexts. In addition to providing some protection from the ball, the girdle or yoke would also have helped propel the ball with more force than the hip alone. Additionally, some players wore chest protectors called palmas which were inserted into the yoke and stood upright in front of the chest.

Kneepads are seen on a variety of players from many areas and eras, and are worn by forearm-ulama players today. A type of garter is also often seen, worn just below knee or around the ankle it is not known what function this served. Gloves appear on the purported ballplayer reliefs of Dainzu, roughly 500 BCE, as well as the Aztec players drawn by Weiditz 2000 years later (see drawing below). Helmets (likely utilitarian) and elaborate headdresses (likely used only in ritual contexts) are also common in ballplayer depictions, headdresses being particularly prevalent on Maya painted vases or on Jaina Island figurines. Many ballplayers of the Classic era are seen with a right kneepad no left and a wrapped right forearm, as shown in the Maya image above.

Rubber balls

In this detail from the late 15th century Codex Borgia, the Aztec god Xiuhtecuhtli brings a rubber ball offering to a temple. The balls each hold a quetzal feather, part of the offering.

Main article: Mesoamerican rubber balls

It is not known with any certainty the sizes or weights of the balls actually used in the ballgame. While several dozen ancient balls have been recovered, they were originally laid down as offerings in a sacrificial bog or spring, and there is no evidence that any of these were used in the ballgame. In fact, some of these extant votive balls were created specifically as offerings.

However, based on a review of modern-day game balls, ancient rubber balls, and other archaeological evidence, it is presumed by most researchers that the ancient hip-ball was roughly 20cm (8 in) in diameter, about the size of a volleyball, and weighed between 3 and 4kg (6-9 lbs) or 15 times heavier than the air-filled volleyball. The ball used in the ancient hand-ball or stick-ball game was probably slightly larger and heavier than a modern-day baseball.

Some Maya depictions, such as the painting above or this relief, show balls a meter or more in diameter. Academic consensus is that these depictions are exaggerations or symbolic, as are, for example, the impossibly unwieldy headdresses worn in the same portrayals.

Ballcourt

Main article: Mesoamerican ballcourt

The ballgame was played within a large masonry structure. Built in a form that changed remarkably little during 2700 years, over 1300 Mesoamerican ballcourts have been identified, 60% in the last 20 years alone. Although there is a tremendous variation in size, in general all ballcourts are the same shape: a long narrow playing alley flanked by walls with both horizontal and sloping (or, more rarely, vertical) surfaces. The walls were often plastered and brightly painted. Although the alleys in early ballcourts were open-ended, later ballcourts had enclosed end-zones, giving the structure an -shape when viewed from above. Although the length-to-width ratio remained relatively constant at 4-to-1, there was nonetheless tremendous variation in ballcourt size. The playing field of the Great Ballcourt at Chichen Itza, by far the largest, measures 96.5 meters long by 30 meters wide while the Ceremonial Court at Tikal was only 16 meters by 5 meters.

Ballcourt at Uaxactun, in the Petn Basin region of the Maya lowlands

Cross sections of some of the more typical ballcourts

Across Mesoamerica, ballcourts were built and used for many generations. Although ballcourts are found within most sizable Mesoamerican ruins, they are not equally distributed across time or geography. For example, the Late Classic site of El Tajin, the largest city of the ballgame-obsessed Classic Veracruz culture, has at least 18 ballcourts while Cantona, a nearby contemporaneous site, sets the record with 24. In contrast, northern Chiapas and the northern Maya Lowlands have relatively few, and ballcourts are conspicuously absent at some major sites, including Teotihuacan, Bonampak, and Tortuguero, although ballgame iconography has been found there.

Ancient cities with particularly fine ballcourts in good condition include Tikal, Yaxha, Copn, Iximche, Monte Albn, Uxmal, Chichen Itza, Yagul, Xochicalco, Mixco Viejo and Zaculeu.

Ballcourts were public spaces used for a variety of elite cultural events and ritual activities like musical performances and festivals, and of course, the ballgame. Pictorial depictions often show musicians playing at ballgames, while votive deposits buried at the Main Ballcourt at Tenochtitlan contained miniature whistles, ocarinas, and drums. A pre-Columbian ceramic from western Mexico shows what appears to be a wrestling match taking place on a ballcourt.

Cultural aspects

Proxy for warfare

The ballgame was a ritual deeply engrained in Mesoamerican cultures and served purposes beyond that of a mere sporting event. Fray Juan de Torquemada, a 16th century Spanish missionary and historian, tells that the Aztec emperor Axayacatl played Xihuitlemoc, the leader of Xochimilco, wagering his annual income against several Xochimilco chinampas. Ixtlilxochitl, a contemporary of Torquemada, relates that Topiltzin, the Toltec king, played against 3 rivals, the winner to rule all.

These examples and others are cited by many researchers who have made compelling arguments that the ballgame served as a way to defuse or resolve conflicts without genuine warfare, to settle disputes through a ballgame instead of a battle. Over time, then, the ballgame's role would expand to include not only external mediation, but also the resolution of competition and conflict within the society as well.

This "boundary maintenance" or "conflict resolution" theory would also account for some of the irregular distribution of ballcourts. Overall, there appears to be a negative correlation between the degree of political centralization and the number of ballcourts at a site. For example, the Aztec Empire, with a strong centralized state and few external rivals, had relatively few ballcourts while Middle Classic Cantona, with 24 ballcourts, had many diverse cultures residing there under a relatively weak state.

Other scholars support these arguments by pointing to the warfare imagery often found at ballcourts:

The southeast panel of the South Ballcourt at El Tajin shows the protagonist ballplayer being dressed in a warrior's garb.

Captives are a prominent part of ballgame iconography. For example:

Several ceramic figurines show war captives holding game balls.

The ballcourt at Tonina was decorated with sculptures of bound captives.

A captive-within-the-ball motif is seen on the Hieroglyphic Stairs at Structure 33 in Yaxchilan and on Altar 8 at Tikal.

The modern-day descendent of the ballgame, ulama, "until quite recently was connected with warfare and many reminders of that association remain".

One of a series of murals from the South Ballcourt at El Tajin, showing the sacrifice of a ballplayer

Human sacrifice

The association between human sacrifice and the ballgame appears rather late in the archaeological record, no earlier than the Classic era. The association was particularly strong within the Classic Veracruz and the Maya cultures, where the most explicit depictions of human sacrifice can be seen on the ballcourt panels for example at El Tajin (850-1100 CE) and at Chichen Itza (900-1200 CE) as well as on the well-known decapitated ballplayer stelae from the Classic Veracruz site of Aparicio (700-900 CE). The Postclassic Maya religious and quasi-historical narrative, the Popol Vuh, also links human sacrifice with the ballgame (see below).

Captives were often shown in Maya art, and it is assumed that these captives were sacrificed after losing a rigged ritual ballgame. Rather than nearly nude and sometimes battered captives, however, the ballcourts at El Tajin and Chichen Itza show the sacrifice of practiced ballplayers, perhaps the captain of a team. Decapitation is particularly associated with the ballgame severed heads are featured in much Late Classic ballgame art and appear repeatedly in the Popol Vuh. There has even been speculation that the heads and skulls were used as balls.

Symbolism

At El Tajin, the ballplayer sacrifice ensures the renewal of pulque, an alcoholic maguey cactus beverage. Fertility is a theme of the ballgame from the earliest times; for example, Formative period ballplayer figurines - most likely female - often wear maize icons.

The theme of solar movement is tied to fertility and the bouncing ball is thought to have represented the sun, and the sacrifice of a ballplayer represented the death of the sun, which would then be reborn. In its inherent duality, the game appears as a struggle between day and night, and/or a battle between life and the underworld. The stone scoring rings are said to signify sunrise and sunset, or equinoxes. Courts were considered portals to the underworld and were built in key locations within the central ceremonial precincts.

Playing ball engaged one in the maintenance of the cosmic order of the universe and the ritual regeneration of life. It was a game of chance, skill and trickery reflecting life. The team effort engaged individuals in shared behaviour and culture, introducing, reinforcing and reinventing the game of life and peoples place in the cosmic order.

The ballgame in Mesoamerican civilizations

Maya civilization

Great Ballcourt at Chichen Itza

Several Classic Maya designations relating to the ballgame have been deciphered: The ballgame itself was called pitz and the words for playing the ball and ballplayer derive from this root..

The Maya Twin myth of the Popol Vuh establishes the importance of the game to the Maya as more than just a sport. The story begins with the Hero Twins' father, Hun Hunahpu, and uncle, Vucub Hunahpu, playing ball near the underworld, Xibalba. The lords of the underworld became annoyed with the noise from the ball playing and so the primary lords of Xibalba, One Death and Seven Death, sent owls to lure the twins to the ballcourt of Xibalba, situated on the western edge of the underworld. Despite the danger the brothers fall asleep and are captured and sacrificed by the lords of Xibalba and then buried in the ballcourt. Hun Hunahpu is decapitated and his head hung in a fruit tree, which bears the first calabash gourds. Hun Hunahpu's head spits into the hands of a passing goddess who conceives and bears the Hero Twins, Hunahpu and Xbalanque.

The Hero Twins eventually find the ballgame equipment in their father house and start playing, again to the annoyance of the Lords of Xibalba, who again invite the twins to play the ballgame amidst trials and dangers. In one notable episode, Hunahpu is decapitated by bats. His brother uses a squash as Hunahpu's substitute head until his real one, now used as a ball by the Lords, can be retrieved and placed back on Hunahpu's shoulders. The twins eventually go on to play the ballgame with the Lords of Xibalba, defeating them. However, the twins are unsuccessful in reviving their father, so they leave him buried in the ballcourt of Xibalba.

The Quichean Twin myth provides important analogues for interpreting the ballgame from a mythological perspective. In a general sense, it links ballcourts with death: The ballcourt became a place of transition, a liminal stage between life and death. The ballcourt makers along the centerline of the Classic playing field depicted mythical scenes of the ballgame,

by: gaga




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