subject: From an Artiste to a Revolution - Virtual Album [print this page] From an Artiste to a Revolution - Virtual Album
My curiosity for art emerges from my inability to be anything other than a writer. When I meet an artiste, I am in awe of him or her.
When I watch people paint on canvas, render poetry, dance, sing, performor write with such ease, it dwarfs me, becauseit istheir connect with the depths of their own soulswhich enables them tocreatesuch beauty through their varied forms of expressions.
Peter Saltzman whomI was a big fan of once, isa friend of mine now, so I know much more about him than his music which iswhat I have turned to so oftenwhen I've needed to tear myself away from the cacophony of lifeto take meto the calm most of us try to reach outto almostevery single day of our crazy lives.
An accomplished jazz pianist in Chicago, USA, Peter humbles me withthe passion he has for his craft whenever I talk to him, which is quite often these days.
On a visit to Mumbai, some time ago, Peter left us riveted when he told us all about himself and his life.
He was barely threeat the timehis grandparents discovered his talent when he played around with an electronic organ lying around at their house once. Soon they bought him a standing piano which was the beginning of Peter's journey. He would fool around with keys till he got a sound he was looking for, and by the time he was five, his folks knew they must put him in training.
So Peter started to train in classical music at such a young age while growing up in the '60's when Bob Dylan, Simon and Garfunkle and the Beatles were a rage. So while he played their records over and over again till he wore them out, Peter continued to practise on sonata's of Beethoven, and by the time he was in high school, hedeveloped a passion for jazz and started toplay it.
I needed to know more about his journey, the process, so he took me through some of his memories like when he played with a band, with bass and drums for the first time in his freshman year at high school when his teacher got some of his top students to play with proffessionals. It was an incredible experience for him, the sense of playing with others, performing with others, was music to allude new levels for him.
It meant a lot as an experience and it was like, music for him has been a series of realizations of some incredible force.
He also remembered one time when he was about 15, and he was listening to a Miles Davis record called Milestones, Cannonball Adderley, the great jazz alto saxophonist of the hard-bop era of the 1950's and 1960's,started soloing and it was one of thosetimes he remembers particularly because upto thatinstance he knew he loved the feeling of jazz but couldn't understand the abstract complexelements of it, but in that moment it was like the heavens had opened up for him and he began to see the whole thing and experience his passion in its true sense.
He smiles as he shares this private moment with me because he says it is a personal experience, all about him alone,for which he credits Cannonballin a certain way for explaining what it all meant.
Things like that have happened over and over again with him whether he was listening to Beethoven or Bach,Classical, Jazz and Pop, all three traditions which he grew up with, Richard Rogers, Cole Porter, Stevie Wonder, The Beatles, Bob Dylan, Paul Simon and many more artistes. Peterbelieves their music has been like what they've told him. He believes they are like his forefathers, because they've laiddown the book for him as all that he's done this far, comes from them. He laughs asI ask him aboutgigs. For some reason although he's had great times playing at concerts and clubs and parties, he only remembers those times when thingswent wrong and therefore doesn't want to talk about them. Sounds like a true artiste. Why is it that we onlyremember the negative things that happen at the time we perform? Is it because we don't want to ever go through them again. Well Peter, now is the founder andCEO of MOA (Music Online Alive) you can go to at http://www.musiconlinealive.com/ which is a platform he has created for all artistes across the world. Here, he tells me, artistesbelonging to all traditions fromacross the world, can find simple tools to createvirtual albums,whichtheteam inthe back officewould thenpartnerto market and distribute through the online space. Talking about revolutions, this is one.
