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Nothing Personal Full Movie Free Download Online

Doesn't matter if you haven't read the Narnia Chronicles by CS Lewis. Doesn't matter if you haven't seen the earlier sequels too. The third part in the fantasy series holds merit on its own and manages to hold you in your seat with its mix of make-believe, special effects and fairy tale folklore.

The fact that the film is in 3D makes it even more inviting for the sword fights, the dragon fires and the choppy sea hits you in your face as you try to keep pace with the Pevensies in their traditional battle of good against evil.

Adding fire to their heroics is their whiny, almost offensive cousin Eustace, who grows into an unlikely hero as the danger threatens. His unusual friendship with braveheart Reepicheep is extremely enticing. Of course, we would have loved to have more of the majestic Aslan and the mean White Witch, specially since the brother-sister duo are growing up fast and may not have access to magical, mystical Narnia for long. But we aren't complaining. Specially since there's so little of make-believe left in this mundane world.

I would suspect from a movie marketing standpoint this is a nightmare to have to remind people who aren't familiar with the series that "Hey! This is Narnia again!" And I suspect that's why we keep seeing the White Witch, Peter, and Susan popping up on The Voyage of the Dawn Treader ads.

Unfortunately, in his pursuit of even-handedness, O'Sullivan fails to create more than a few worthwhile characters. The atmosphere, thick with claustrophobia, paranoia, and a pervasive sense of impending doom, is potent in a way that the protagonists aren't. Most of the men in Nothing Personal represent different faces of unintelligent bigotry. There's Ginger (Ian Hart), a borderline psycho who enjoys killing Catholics; Kenny (James Frain), the leader of a militant anti-IRA group; Eddie (Gary Lydon), Kenny's right-hand man; Tommy (Ruaidhri Conroy), a 17-year old recruit to the cause; and Leonard (Michael Gambon), Kenny's politically- savvy commander. None of these individuals are nearly as interesting as their cause. The characters who capture our attention are those without a strong political allegiance: Liam (John Lynch), a Catholic who is mistaken for an IRA member; Ann (Maria Doyle Kennedy), Kenny's estranged wife; and Kathleen (Jeni Courtney), Liam's young, headstrong daughter.

While Nothing Personal might have been more focused had it concentrated on fewer individuals, O'Sullivan elected to try to cram in everyone's story. As a result, the motion picture is frequently confusing (occasionally bordering on chaotic), and Liam, who represents the emotional center, is only on-screen for about a third of the running time. And, while there is power in the way Nothing Personal is resolved, there's also something about the ending that seems inevitable, obligatory, and more than a little manipulative.

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