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The report by KOFIC revealed that Hollywood films will do better in December, when blockbusters including The Chronicles of Narnia: Voyage of the Dawn Treader and "Harry Potter and the Deathly Hallows: Part 1" will be released. Separately, a number of domestic blockbusters open this month, including Na Hong-jin's Yellow Sea.
LONDON -- British royalty is to get a taste of the all-singing, all-dancing world of digital 3D.At least that's the hope as "The Chronicles of Narnia: The Voyage of the Dawn Treader" has been picked as this year's Royal Film Performance and will unspool in 3D at the event later this year.A Royal and World premiere, the Michael Apted directed "Narnia" is scheduled to screen in late November this year with "members of the Royal Family" in attendance. Organizers said they will confirm nearer the time exactly which family members will be expected.The Twentieth Century Fox and Walden Media production reunites Georgie Henley and Skandar Keynes with Ben Barnes in the cast and is the third installment in the "Narnia" franchise from Walden. It will be the first RFP to show in digital 3D.Fox took up the co-production reins after the first two outings were co-produced by Disney. The first, "The Chronicles of Narnia: The Lion, The Witch And The Wardrobe," also garnered the honor of being the RFP in 2005.The RFP is the main fundraising event of The Cinema and Television Benevolent Fund the trade charity for the U.K. film and television industries.
Q: I heard it was a closed set and they kicked Rupert off of it.
Watson: They did, yes. It was a closed set, and it was awkward enough without having tons of people come and watch.
Q: Was it a strange experience? I heard they tried different amounts of smoke and you had silver body paint on.
Watson: Oh, it was the weirdest thing ever, and they only told us about the silver body paint the day before. They were like, "Oh, and P.S., we hope you don't mind but we'd like you both to be topless and covered in silver paint." I was like, "Ookay," if it wasn't weird enough before. (laughs) So yeah, it was bizarre. Luckily, Dan is very funny and talkative and we could just have a laugh about it. Kissing Rupert, he's slightly more quiet so I was like, "Oh, God, what's he thinking?" Whereas the whole time with Dan I knew EXACTLY what he was thinking, so that helped.
Q: He did say that he thought you were ferocious about it.
Watson: I keep hearing this, and I don't know what to say. Danny even called me "an animal," so yeah, I guess I was just so worried about it coming across as awkward as I felt it was inside that I just wanted to make it as real as I could? So I guess I just went for it?
Q: What's the experience like being away from Hogwarts for this particular film? Was it a very different experience?
Watson: Definitely. It felt like we were making a different movie, which was so nice. It meant it didn't get boring after making six of them. It's nice to have something a bit fresh.
Q: The fact that the three of you have made eight movies together in ten years and worked together for so long, how hard is it to keep things fresh?
Watson: That is definitely the hardest thing. The cool thing about this movie is that because we shot two back-to-back, there was this momentum that we picked up and there was this kind of chaos to flitting back and forth between two different movies, and we were trying to get so much done that we didn't have any option than to be fast and be on top of it. The pace picked up a notch, which really helped us as actors, because when it's that slow, it's very hard to give a fresh performance. When you've sat in the trailer for three hours, it's tough.
Q: I heard that you had more time to make the movie so if you had a tougher scene, you'd have more time and could do another take the next day.
Watson: It's wonderful that on "Potter," we had that kind of flexibility. Pretty much, such a huge part of the filming was done at Leavesden, so it wasn't like, "Okay, guys, we won't be at the set tomorrow. We have to get this done." Those sets were around, so we did have the option to get it right. That was a luxury I guess.
Q: There are a lot of nice subtle moments in your performance. Was there more opportunity to have more freedom on how you express yourself?
Watson: Definitely, and I just had such a bigger role. It gave me such a better chance to really develop it and get into it, and I just felt like I had so much more room to give it a bit more. I had some really challenging stuff to do, which gave me a chance to show what I can do, which was lovely as well.
Q: Can you talk about working with David Yates and tackling some of that more challenging material?
Watson: He was very good. He's very calm, which is great for me, because there are days when I just panicked, I mean really just "David, I don't know how to do this!" I didn't know how to act I've never been tortured before, I have no idea how to pull that off. I have no idea what it feels like to see your friend bleeding to death in your arms. There was some really hard stuff to do, like what it's like to erase your parents' memories and walk out the door. I think for me, I have quite an academic, like a heady approach I guess to the way that I act, and us just talking through what it meant, what does it mean for her? How does it relate to her past? What does she think about this? Having the time to be very clear in my head about what exactly everything was allowed me to give a really good performance. He's very patient, which is so nice. I never felt like I was being hurried, so that was nice. He's very good like that, he's very gentle.
Q: We've talked to others about the first film and how it was for Chris Columbus to direct kids. Can you talk about evolving into more of an acting approach and some of the lessons you've learned from all the great directors who've stepped in and specific things you picked up along the way?
Watson: Well, it's interesting. I think working with different directors have signaled different Alfonso wasn't going to do any of the "kiddie directing" stuff. He was like, "Get up there and do it." He didn't have much patience for "Eyes wide, look terrified!" He wasn't going to do any of that, so he made us step up and then Mike Newell again, and then David Yates. It worked like that I think.
Q: David mentioned the scene with your parents and that more was filmed that didn't make it into the movie.
Watson: Oh, yeah, it got cut. Well, it wasn't actually with me in the scene. It was just with them having a conversation about what they were watching on TV, but it wasn't anything that I was in.
Q: Over the course of the 8 movies, you've worked with some amazing actors like Alan Rickman, Robbie Coltrane and Michael Gambon. Was there anyone you realized when you weren't going to do any more scenes with them that got you upset and that you miss working with them?
Watson: A lot of them. I miss working with Emma Thompson, she was a real fave. She's lovely and very interesting and I got on really well with her.
Q: Are you acclimatized to life post-Potter?
Watson: I go through periods where it feels fine, easy, and I'm busy at school, and there are days when I feel really lost, because it was just so structured and I had people telling me where I needed to be, what they wanted me to do. My whole life was on a schedule, on a call sheet, every day, and being at university, you decide when you eat, where you go, if you work, if you don't. No one cares and it's all down to you, so yeah, I had days where I feel "Oof" but it was always going to be an adjustment and I feel lucky that I kept going with school and that I have that kind of infrastructure to fall back on. I dunno. It feels nice to be able to take a bit of a break. I don't know how Dan's doing it to be honest, because making these two films back to back was exhausting, I mean really exhausting. I was hanging in rags when we finished shooting, so I don't know how Dan is doing it. He's kind of amazingly energetic.
Q: Have you hung out at all with Daniel or Rupert since you finished filming? Do you expect to get together for lunches or anything like that?
Watson: We always have these dates when we know we're going to see each other again, so yeah, I guess when the last movie is out I know that Dan is doing something on Broadway in New York, so I guess we'll hang out when we're both in New York together, and maybe I'll show up at Rupert's doorstep one day. I'm dying to go to his house, it sounds amazing. So yeah, we'll figure it out but at least we'll have these dates where we know we'll be together again.
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