subject: How To Control Professional Photography Equipment Expenses! [print this page] How To Control Professional Photography Equipment Expenses!
As you begin exploring into purchasing professional photography equipmentthe factor to keep in mind is that it is easy to spend thousands or tens of 1000s of dollars. You don't need to
Never just buy a piece of apparatus because it seems cool at the camera store, or inside the catalog. I could purchase an entire new camera system - lenses included - with the cash I've spent on professional photography equipment that I have used just once. Or never used in any respect!
Despite the fact that it is true that in lots of cases best rank paraphernalia could make creating our photography quickersimilar images can generally be done by way of things we have lying about! The true secret to mastering the camera and getting beautiful images is absolutely not ever more paraphernalia. It's learning to get the most out of what we already have on hand!
As an exampleafter our camera and lenses, the biggest piece of apparatus most shooters go after is usually a studio lighting system.
After having studied photography for a while, we tend to realize that the majority photos would require not less than a three light arrangement. Thus we run out to purchase 3 studio lights.
The first thing we tend to perceive is that superior types cost an arm and a leg! Typically, we do not have that much! So we purchase cheaper, less than optimal lights.
For so long as we tend to be the owner of our cut-rate studio lights, we find that they're inefficient and a hassle to make use of. We won't even talk about repair bills! Our photography suffers and we are never actually able to get our ingenious visions into the camera.
Nevertheless (we rationalize) we didn't have much cash, and 3 of the cheap lights cost about the same amount as just one of the better lights.
Here's where learning to get good at your gear is where the professionals are separated from the "someday I am gonnas"
Obtain the ONE highest quality light (or any other bit of photography equipment) and truly discover the way to use it. After that study the methods for using reflectors (you can make them yourself for almost nothing).
A reflector bouncing the light into your model - IS - a light! I previously saw a film prepared by the late Dean Collins where he used one studio light and with the use of reflectors he was able to produce a 5 LIGHT setup! And there's no one who would not label him a master shooter!
Therefore, before you waste a bunch of cash on professional photography equipment, discover ways to get better at what you have already got (or can make), and then when you do purchase something, just get the finest. It'll last longer, grant you less head aches and cost less within the long run.
