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The Girl Who Kicked the Hornet's Nest" Troubled savant Lisbeth Salander isn't up to much in this film adaptation of the final chapter in late author Stieg Larsson's trilogy. Lisbeth goes out with a whimper after the way she outsmarted enemies and went on bloody rampages in "The Girl With the Dragon Tattoo" and "The Girl Who Played With Fire." Now she's just the girl locked in hospital, interrogation and court rooms, recuperating from injuries and facing attempted murder charges. Only in the closing minutes of this long, snoozy finale does Lisbeth (again played by Noomi Rapace) get out in the world and mix it up with one more bad guy, but that climax is a dreary, passive letdown compared to the wily survival skills she displayed in the earlier movies. Michael Nyqvist returns as Lisbeth's journalist ally. Fair warning to anyone who has not read the books or seen the first two movies: Don't bother. You won't be able to make much sense of the convoluted conspiracies this one reveals. R for strong violence, some sexual material and brief language. 148 minutes. Two stars out of four.
David Germain, AP Movie Writer
"Monsters" Even if the visually similar "Cloverfield" and the thematically similar "District 9" didn't already exist, this would still seem painfully hackneyed and obvious. See if you can figure out what the allegory is within this sci-fi tale: A couple of Americans stranded in Mexico (Scoot McNairy and Whitney Able) can't get back across the border because there's a giant infected zone filled with scary aliens blocking their way. American troops who patrol this northernmost part of the country are arrogant jerks, while the Mexican people who help our twentysomething travelers are generous and kind. Once they do reach the edge of the United States, they see a tall, foreboding wall intended to keep intruders out. In case we still can't figure out the point of Gareth Edwards' film, he has one of his characters state the following: "You know, it's different looking at America from the outside, in." Huh. You don't say. Yes, "Monsters" really is that heavy-handed, which might have been more tolerable if it had at least offered some vague tension or even the slightest glimmer of chemistry between its two stars, who share the screen pretty much the entire time. It's a shame, too, because Edwards as writer, director and cinematographer does deserve some points for effort and technical ingenuity. Visually, "Monsters" manages a lot with a little budget. R for language. 93 minutes. Two stars out of four.
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