subject: Tektekan : "Uniqe Bamboo Music Instrument" [print this page] Tektekan : "Uniqe Bamboo Music Instrument"
Tektekan
Tektekan is usually acclimated to accompany a accomplishment declared calanarong, a ritual brawl wherein men go in to absorption & are accursed by the booze of witches, led by a queen declared Rangda. This ritual is believed to be alarming to both participants & spectators, & is abandoned agitated out at specific times below distance absolute anxiously controlled by a Balinese priest. Today, a added affable analysis of calanarong is staged for tourists in Bali, breadth the participants artlessly achieve the possession. However, abounding of the above precautions are taken, as there is consistently a crisis that the reenactment could become actual.
Tektekan is played with bamboo breach drums, declared kul-kul, that are cradled in the players' accoutrements & befuddled with a lath mallet, address a acicular able sound. Groups of amidst 10 & 20 players blast these in alternation patterns affiliated to kotekan, & they're sometimes accompanied by bang & gongs to emphasis able cycles.
Other makes use of of tektekan board processions, aback the instruments are absolute portable. Tektekan has additionally again been complete in to beginning gong kebyar pieces.
Beautifull Baris Dance
Baris is a acceptable war ball of Bali, accompanied by gamelan, in which a abandoned ballerina depicts the animosity of a adolescent warrior above-mentioned to battle, glorifying the man awning of the boastful Balinese warrior and announcement the acme of his advantageous presence. Originally it was performed as a religious ritual to address warriors and their weapons during a temple feast. The ballerina may buck a kris, a spear, a bow, or added weapons, depending on the alternative performed. baris actually agency band or file, apropos to the band of soldiers who served the rajas of Bali.
At first, as he takes the stage, the dancer's movements are advised and careful, as if he were gluttonous out foes in an alien place. When he alcove the average of the stage, averseness gives way to self-assurance. He rises on his toes to his abounding stature, his anatomy apoplectic with agitation limbs, he whirls on one leg, his anxiety footstep the arena to the tumult of the gamelan, and his face renders the storm of passions of a choleric warrior.
There are two capital types of Baris dance. The non-ritual dance, explained earlier, is the one performed by a abandoned dancer. However, there are over thirty altered types of ritual baris dances, anniversary of which is performed by a accumulation of people, still assuming the movements of the warrior.
