subject: Through what agency to perform the keyboard [print this page] Through what agency to perform the keyboard
Keyboard Crash Course is a short book, about 50 pages, that discusses through what agency to take what you already know from learning classical instrumental and through what medium to apply it to the electric instrumental and mostly within an ensemble context.
For the classically trained pianist, or myself as a cellist, readingsong charts can be awkward and hard. What in the world is an A#sus+4? And how does that transform into music, however more importantly, through what agency are you supposed to perform that special chord on the instrument? What happens when you snag a chart that has chords such as the one above and a melody, what happen to be you supposed to do with your left hand? What is the appropriate way to dealing with chord progressions and inversions of chords? these are just a couple of the countless a number of questions instrument players deal with when they really are demanded to nearly improvise from a chord chart. To a number of pianists, learning their own keyboard in a new way can be greatly daunting and can often feel harmful to their technique, though this book, Keyboard Crash Course defineately helps settle your fears and provides an unified method to dealing with the most common problems classically educated pianist face when presented with musical instrument style more music.
Performing the electronic piano presents a whole fresh world of sounds to the acoustic instrument. Now you have winds, string noises, organ tracks, sample effects, etc. So your understanding of from what source to choose and use all these fresh sounds needs to be obvious. Keyboard Crash Course walks you through and gives examples of through what agency to adopt certain noises and come to be accustomed with them.
Classically trained pianists at times really are in only a couple settings, either accompanying, the act of performing alone, or solo alongside an orchestra. So when you transfers those skills over to a band, problems can arise. This book helps one realize how to work within an ensemble setting, it even goes into specifics with working in a worship or church group. Some of these more essential ideas just are addressed by deliberating from what source to leave space for other types of instruments and from what source to blend your sound with the rest of the group. And how to additionally deal with band that have both a musical instrument and a keyboard!
If you're interested in broadening your musical instrument skills to include the keyboard, this handbook can be an amazing help. And it's cheap too. Only $15. It's not the handbook which has all the answers to all your questions, but it does give you an amazing start at being confident and comfortable at playing the keyboards. It takes the knowledge you already realize and applies it in new ways.
