subject: Writing Awards For Profit Made Simple [print this page] Writing Awards For Profit Made Simple Writing Awards For Profit Made Simple
The slow way to profit in fiction writing awards could be to perfect every tale then provide it exclusively to just one award scheme. You hold on until eventually you hear you've won, or clearly not won, then post that tale to the next award scheme. Which means that one narrative travels back and forth between four to five competitions inside a year or so. To perfect an excellent story approaching 2000-3000 polished words normally takes even an expert writer several days, conceivably 2 or 3 weeks. Which means you can turn out just 20-30 high-quality stories every year.Sure, you could enhance your productivity but nonetheless, if you are polishing off much more than two or three tales each and every week, your standard is sure to drop.What if eventually you become an extremely successful story award entrant and win a lucrative prize in every three or four award schemes you enter? Consider the numbers. You submit 50 stories each and every year and gain, maybe, just over a dozen awards. The cash payouts may well move from a token ten dollars to a helpful five hundred dollars or more. Still you'll be fortunate to take home much more than $2000-$3000 each year in cash prizes.It's a poor profit for umpteen hundred hours of effort! You would be significantly better off, working in a bistro.Needless to say, only a few writers evaluate their occupation so cold-bloodedly. Most writers enter award schemes solely for amusement. Nevertheless you can still get pleasure composing short stories and then get upwards of a five figure sum each and every year in writing awards if you set up your approach sensibly. And so you gain in two ways.Exactly how do you manage this? Enter a nearly similar basic entry to many award schemes simultaneously! Permit me to hastily explain. I do not mean enter the word-for-word same piece of fiction. Nearly all contests insist that a short fiction story has not been seen in print before. So it would be unfortunate in the event you earned a $10 award and then found the entry publicized. Somewhat down the line, you discovered you had got a one thousand dollar prize in a further competition and for the identical tale.Properly and morally, you should never collect that one thousand dollars. Your judges would rightly take away your award and bar all of your stories in future.Alternatively, you modify the story to the contest theme. Suppose a company honors its twenty fifth anniversary with a 'silver' themed competition, try to make Silver the focus in the tale. When it's a Thanksgiving holiday title, let the tale take place at Thanksgiving holiday. And if it's a fantasy theme, locate the narrative in any remote period or setting. And so on.So long as the core narrative is sound, it can be modified to nearly any topic or category in moments. Alter the identities of your personalities plus venues, the expositions, clips of dialogue, as well as other incidentals.You can accomplish it in just a few minutes, even though you may need to spin whole passages. Then the story is fresh plus, because it's tailored more precisely for that award scheme, your odds of being successful will be a great deal better.Is this honest? Have a look at almost any memorable legend. Its basis is certain to echo the plots of numerous other prior fables. Cinderella seems to have shown up in numerous different forms all over the world and also throughout the ancient past.PR copy writers frequently compose an individual core feature article for one clientele, then modify it to send to a number of periodicals. Their publishers really don't mind, so long as these publications do not play competitively with one another.Writing contests do not compete with each other, either.This astute method also has a long historical defence. Keep in mind, Ben Jonson never invented a plot . In all his plays, he merely copied a story - and adjusted it to his audience. That's a win-win contest system.The more you customize the storyline, naturally, the more specific it will become. Ethically, you need to modify each and every story to the maximum amount you can. Yet it's much easier to spin and adapt a really good basic narrative for a lot of non-competitive competitions than to compose a totally different story for every single competition!
