subject: Through what medium to play the musical instrument [print this page] Through what medium to play the musical instrument
Keyboard Crash Course is a short book, approximately 50 pages, that talks through what medium to apply what you already understand from learning classical musical instrument and how to employ it to the electric keyboard and mainly within a band setting.
For the classically educated pianist, or myself as a cellist, readingchord charts can be awkward and difficult. What in the world is an A#sus+4? And through what medium does that convert into music, although more importantly, from what source really are you supposed to play that particular chord on the keyboard? What happens when you obtain a chart which has chords such as the one above and a melody, what are you supposed to do with your left hand? What can be the correct way to dealing with chord progressions and inversions of chords? these just happen to be just a number of of the many countless questions keyboard players deal with when they happen to be requested to basically ad-lib from a chord chart. To countless pianists, learning their own piano in a fresh way can be extremely discouraging and can at times feel damaging to their approach, although this handbook, Keyboard Crash Course defineately helps relieve your fears and provides a consolidated technique to dealing with the most frequent problems classically trained pianist face when presented with piano style more pieces.
Playing the electronic instrument presents a whole new world of noises to the classical instrumental. Now you have winds, string tracks, organ sounds, sample effects, etc. So your comprehension of how to select and utilize all these new noises needs to be clear. Keyboard Crash Course guides one through and gives examples of through what medium to work with specific tracks and come to be accustomed with these.
Classically educated pianists sometimes just happen to be in only a number of settings, either accompanying, the act of performing solo, or solo with an orchestra. So when one transfers those skills over to a group, complications can begin. This handbook helps you know through what agency to work within a band setting, it even goes into specifics with working in a worship or church ensemble. Some of these more crucial ideas are addressed by discussing how to leave space for other instruments and through what agency to blend your sound with the rest of the ensemble. And through what agency to also deal with group that have both an instrument and a musical instrument!
If you're interested in broadening your instrument skills to include the keyboard, this book can be a great help. And it's affordable too. Only $15. It's not the book which has all the answers to all your questions, though it does give you a great start at being confident and comfortable at playing the keyboards. It takes the knowledge you already know and applies it in new ways.
