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The Father of My Children | Not yet 30, Mia Hansen-Lve follows her assured 2007 debut about a drug-addicted father, All Is Forgiven, with an even more wrenching look at another troubled, charismatic patriarch. Inspired by the life and death of French film producer Humbert Balsan,
The Father of My Children is as precisely detailed in its depiction of the stress and bureaucracy of how movies get made as it is of the emotional fallout of incomprehensible loss. As the Balsan surrogate, Louis-Do de
Lencquesaing shifts seamlessly from a cine-champion drowning in debt to a beloved pre of three daughterswhose ease and grace onscreen confirms Hansen-Lve's gifts for directing children and adolescents.
I Am Love | As unrepentantly grandiose and ludicrous as its title, Luca Guadagnino's visually stunning third narrative feature suggests an epic Visconti and Sirk might have made after they finished watching Vertigo and reading Madame Bovary while gorging themselves on aphrodisiacs. Further enticement (as if any were needed): Tilda Swinton, in yet another bravura performance, stars as an unhappy
, unfulfilled Russian wife of a Milanese industrialist and mother of three adult children whose passions are awakened when a man prepares her a plate of perfectly seasoned shrimp. As her impeccably arranged chignon unravels and her salmon-colored finery shucked, it's impossible not to succumb to the operatic sweep.
Last Train Home | The mind-boggling scope of first-time director Lixin Fan's extraordinary documentarywhich captures the world's largest migration, as 130 million migrant workers in China's cities return to their rural homes for
New Year'sowes as much to macro-spectacle as to micro-observation about the economic forces rending a nation. Among the throngs of people crammed into trains are the Zhangs,
a husband and wife making a 50-hour trek to see the family they left behind 16 years ago to work in a garment factory, including teenage daughter Qin. Still wounded from being abandoned to the care of her grandparents as an infant, she flouts her parents' wishes and drops out of school for employment in the city, believing that 14-hour days in punishing jobs are the only way to happiness.
Night Catches Us | Still inexplicably without distribution after its Sundance premiere, Tanya Hamilton's striking debut is the rare American-independent film to go beyond the private dramas of its protagonists, imagining them as players in broader historical moments. Set in Philadelphia in the summer of 1976,
Hamilton's examination of the failures of '60s liberation struggles centers on former Black Panthers Patricia (Kerry Washington), now a lawyer, and Marcus (Anthony Mackie, mesmerizing, as always), returning to Philly after a mysterious four-year absence. Interspersing snippets of footage
from Panther rallies though resolutely opposed to easy nostalgia, Hamilton considers the near-impossibility of disentangling the personal from the political. Netwebsite.In Is A Free Movies Website Where You Can Watch Full Movie Free.
