subject: The Specific Pinnacle Of The Fugue Form Within Music: "die Kunst Der Fuge" By J. S. Bach [print this page] The name of JThe name of J. S. Bach is without a doubt virtually identifiable together with counterpoint, deployed together with unbelievable imagination combined with ability inside just about every doable musical position and perspective.
In the very last ten years of his life J. S. Bach started off writing complicated canonic as well as fugal research of single subjects, together with sets of canons on the chorale melody "Von Himmel hoch" and to the initial eight notes of the main bass-line of his Goldberg Variations theme, along with the particular Musical Offering, put together for King Frederick II of Prussia inside 1747.
When speaking about the Art of The Fugue by Johann Sebastian Bach along with Bruno Monsaingeon, Gould talks about the particular later works by Bach not necessarily in any simple aesthetic terminology, but as being a forever broadening worlds of shades of grey, or even clear contrapuntal designs. Gould has been quoting Albert Schweitzer on the primary fugue on the sequence, however felt this specific brief description is as well good for the final fugue of the series. In a 1959 filmed interview, in both "Glenn Gould: Off the Record" and also "Glenn Gould: On the Record", Gould had furthermore lamented the conclusion of the "common practice" period. He illustrated his particular belief with a considered test, arguing that a baby raised with merely atonal music can subsequently display a genuine interest on tonality.
Following having a quantity of pretty careful interpretations that were distributed on records these days, I had just about forgotten about exactly what a skillfully thrilling composition the BWV 1080 is undoubtedly. The performances by Okonsar are probably the most gratifying performances of the main "Die Kunst der Fuge" on the organ I already know
The Belgian pianist (but additionally composer, conductor and musicologist) Mehmet Okonsar was born in the "bridge-city" of Istanbul. Essentially this idea of a "bridge" in between East and West is really the main factor in asserting the one of a kind position of this artist within the international classical music stage. Even though having began his education at Ankara, at the National Conservatory of this city founded by Paul Hindemith, he typically stated that all his "real" musical education has been given in Belgium.
Right after about a year and half studying at the Ankara Conservatory, the Okonsar family moved to Belgium where Mehmet joined the class of Jean-Claude Vanden Eynden at the Brussels Royal Conservatory of Music.
In the course of this period of chaos who was the 70s in Turkey, Okonsar connected on both friendly and professional basis with a pianist and conductor, ex-student of Pierre Sancan. Coming from this friendship he mastered basic principles of the keyboard ideas of Pierre Sancan who was the teacher of pianists like Michel Beroff and the student of Yves Nat.
Even at his primary public appearance in 1979, the specific eclecticism of his recital programs in the future can be witnessed. He offered a collection of the Preludes by Messiaen among others.
The piano studies of Okonsar ended with all the highest honors any student can ever get at the Royal Conservatory of Brussels. "Premier Prix avec Distinction", performing the "Dante Sonata" by Liszt and then "Diplome Superieur de Piano Avec la plus Grande Distinction, Premier Nomme", in 1986, executing the Piano Concerto Op. 42 by Arnold Schoenberg.
Often anticipating learning more, Okonsar pursued still at the Brussels Conservatory, on Composition and Orchestration classes and again he got the very best teachers obtainable: Madame Jacqueline Fontyn the foremost Belgian composer and occasionally he likewise studied with a student of Messiaen, Claude Ballif.
One afternoon telephone rang and a lady phoning from Switzerland asked him. Alexis Weissenberg, a pianist Okonsar venerated and also almost worshiped, wanted him to study with in Switzerland. Cash had been short but the master supplied Okonsar a full scholarship. One can witness in all performances by Okonsar how deeply Weissenberg had an effect on him.
Soon there after to become a Belgian national, Mehmet Okonsar and his spouse Lale, artist went back to Turkey following an invitation by the President Suleyman Demirel who presented him the most sought-after title of "State Artist of the Turkish Republic".
"Functioning from Turkey is not hopeless in our days" claims the pianist.
It is true that he is specifically at ease with the computer systems and has now a really potent position on the Internet.
Okonsar is extremely effective from Turkey where he performs, practice, compose and writes. He operates a CD company along with a publishing house.
Mehmet Okonsar's international career commenced having the first prize at the International Young Virtuoses Competition of Antwerp in 1982. His orchestral debut was the 3rd Concerto by Rachmaninoff executed at the "de Singel" Concert Hall in Antwerp, Belgium. His various other prizes are: Paris, 1989, "J. S. Bach" at the Salle Gaveau: 2nd prize; 1990, Rome, Association Chopin "Premio Etruria": 1st prize; and 1991, United States, Utah, the 6th prize at the "Gina Bachauer International Piano Competition".
His known concerts incorporated the premiere in Turkey of the Concerto for piano by Schoenberg with his fantastic performances of the Concerto for piano by Lutoslawski in Poland.
His researches on music and also technological innovation have been given in a lecture at the Yamaha head office in Hamamatsu, Japan.
Okonsar has performed recitals presenting the whole piano works by Arnold Schoenberg, Alban Berg and Anton Webern. Regardless of he denies most type of "musical specialization", his repertoire is actually intensely on the "modern" side with Igor Stravinsky "Three Movements of Petrouchka" the "Sequenza" for the piano by Luciano Berio and also the Klavierstucke by Karlheinz Stockhausen.
Okonsar's interpretation of typically the BWV 1080 by The Leipzig Cantor, on church organ together with harpsichord, ranks among one of the biggest of most. His treatment associated with the entire opus provides the very best achievement.
The Turkish born Belgian artist is without a doubt a powerful adept of the actual "Free Music" ideological background. Every bit of his tracks happen to be shared according to the actual individual artist. This is actually a real brand new point of view which, regarding to the artist will likely be of tremendous returns to equally the very artist, the actual release in addition to the classical music arena.
Similarly the actual primary video site Youtube(r) contains a assortment of the multi-faceted music artist Okonsar's performances at the piano video clips. Many times his CD releases are additionally submitted as live videos into the artist's Youtube(r) channel: mokonsar.
