subject: Gaining The Ideal Audio Tracks From A Camcorder [print this page] When you shift from digital photography to videography as your method of capturing moments either personally or as part of your profession, you enter into a significantly bigger world with larger problems too. For one thing, you now have to manage concerns of movement. The issues of lighting and surface noise are just as major of an difficulty other than you now have topics that could be on the go and you've got to go with them.
When using a camcorder to capture the event under scrutiny, regardless of whether it's a wedding, a speech or presentation or some other significant affair, the concern of having the highest quality sound presents unique troubles. So it's best to carry out some targeted planning on exactly how you will provide the audio needs of the affair to your equipment due to the fact should you have wonderful images but the words and sounds from the affair are muddy or lost, then the quality of your final product is certainly damaged.
Many an ineffective video clip has been taken with a video camera because the operator depended too intensely on the little microphone that's built into the casing of the machine. Really the only scenario in which this microphone could possibly be sufficient could be if you were conducting an one-on-one interview in a tiny room where you could position the video camera within three feet of the subject. Even then, surface sounds from the surrounding building can become part of the audio outside of the awareness of the operator at the time.
To make sure that you have complete awareness of what's going onto your video recording of each event, an investment in a good set of sealed back headsets to check the audio is an outstanding move. You are able to plug it into the video camera and you are dynamically aware of what's going onto that recording at all times. If something is put in the audio that's not proper, you can use editing techniques or even re-shoot the actual segment if that is possible in the context of the event.
For the majority of occasions, decide to utilize the auxiliary audio input plug to add a mobile mic unit rather than count on the onboard microphone in the camcorder casing. This tiny plug on it's own opens up a large variety of solutions to the issue of poor camcorder audio tracks that is so often endemic of video clips made with this engineering.
In case you are working with an external microphone, know about the constraints of the wire if you're not working with a radio frequency microphone unit. In a situation such as a speaker doing demonstration, you'll be able to lay the cable down between the recorder and the speaker's stand assuming you have ample cable length to reach to the spot that the microphone will mount on the stand. Be careful with the surplus cord, probably securing it with duct tape so those following the presentation do not trip on the cable or pull it free which could bring about personal injury and harm the gear.
In lots of situations such as one where you intend to interview people in a roving style or to record a speaker who's on the move quite a lot, a radio frequency microphone could possibly be necessary. These can be more expensive but without the investment in this technology, your audio quality relying solely on the camcorder built in microphone will likely be unsatisfactory.
