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subject: Rules To Abide In Graphic Design [print this page]


Graphic designs are integral to the development of various societies all over the world. Without it, there would be no newspapers, magazines, or books since typography is one of the earliest forms of graphic design. Furthermore, if graphic designs were wiped out of the world we would be obtaining information all through the spoken word.

Graphic designs have distinct and diverse functions. One is they distinguish and separate one product brand to another. Second, they help make better the mundane appearance of any written literature and non-fictional texts. And ultimately, they provide us with information - assisting us how we should think and feel about the world around us - even without the aid of spoken word.

Graphics Design - What Makes It A Service Artform?

Graphic design is a form of art, a service form of art to be specific. Hence irrespective of how elemental this discipline could get, it is subject to certain conditions for it to capture the mechanics of representation.

Moreover, graphic design involves strict adherence to the message it must communicate. Far from self-expression, every design has to be persuasive or, if not, at least informative to make it different from fine arts.

Graphics Design - How To Make Meaningful Designs

Another reason that makes graphic design a form of service art is that it necessitates designers to always prioritize the spectators. Designers therefore have to take into consideration what the spectators reactions would be once they were exposed to the design.

Furthermore, designers have to come up with a design that stands for the spectators' sense of aesthetics. This requirement is probably the reason why graphic design is viewed as an artpiece. Besides, how else such designs would convey message if not by means of the visual language?

For these reasons, designers are trained to be well-acquainted not only with the grammar of language but also with the right way of utilizing the elements of arts when shaping the materials for visual language.

by: Anita Poole




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