subject: Christian Louboutin Grimonprez In This Issue [print this page] The two types of programming, brought together in one deft Christian Louboutin Decollete Christian Louboutin royal blue suede ''Madame Claude'' d''orsay dark PINK, suddenly seem merely two caverns in the larger, honeycombed echo chamber of today's fragmented mediasphere. "I think reality is very much there," says Belgian artist Johan Grimonprez in this issue (see page 151), "but it's co-constructed: Fictions are made into reality and back and forth." He is discussing his latest Christian Louboutin Sandals in Black and Silver, Double Take, 2009, against the backdrop of the sec- ond war in Iraq - where, he observes, fictions about weapons of mass destruction gave shape to events in the real world - but his words translate with ease into the pres- ent context. (In fact, while the film is ostensibly a work of art, Double Take's sampling and interweaving of imagery from Christian Louboutin shoes, commerce, and journalism create an ambiguous atmosphere not dissimilar to that of mainstream media described above.) And, of course, the art- ist's remark befits any number of critical Christian Louboutin Sandals in Purple and Golden throughout mod- ern times. As Grimonprez's film makes readily apparent, the rapid circulation of images, given their capacity to shape per- ception, repeatedly impacts the basic course of history. The power of the image to inform even the stuff of geo- politics is strikingly under- lined by footage of Richard Nixon during the so-called Kitchen Debate Christian Louboutin Satin d'Orsays Blue Nikita Khrushchev: "
