subject: Mark A Cella On Doheny Ranch Development, Beverly Hills, Ca, 1923 [print this page] Mark Anthony Cella on Doheny Ranch Development, Beverly Hills, California, 1923
Attempting to reestablish practice in Los Angeles in 1922, Wright found himself challenged to propose new, more positive approaches than those being adopted by developers. He focused on one of the most enticing sectors of the large, undeveloped plots that skirted the city: the 411-acre Doheny Ranch, located in what is now Beverly Hills and later developed as the Trousdale Estates. The land was owned by Edward Laurence Doheny (1856-1935), then one of America's wealthiest citizens.
How understandable for Wright to have sought Doheny as a client, and to have proposed a residential development of unparalleled scale. No records have been discovered to document any contact between Wright and Doheny, who quite possibly never met. It therefore seems that Wright prepared his design in the hope of interesting Doheny rather than in response to any actual commission.
Mark Anthony Cella on Doheny Ranch Development, Beverly Hills, California, 1923
Few drawings survive, and they are largely pictorial; evidence suggests that all were completed during the early months of 1923. The proposal, unencumbered by the realities of an actual programme, suggests a prototype for a new type of Southern California suburb.
Ample precedents for Doheny exist in Wright's own work-for instance his design for the Sherman M. Booth house (unbuilt; Glencoe, Illinois, 1911). The new elements of massiveness, textured masonry, and walled gardens seem partly inspired by Italian vernacular buildings, which Wright came to admire following a prolonged visit to Italy in 1910. During his stays in Japan, he discovered landscapes that joined buildings and plantings into one composition.
Mark A Cella on Frank Loyd Wright Doheny Ranch Development
From his fascination with pre-Columbian architecture-arguably a natural source for the indigenous expression he sought in California-came a renewed awareness of large-scale composition. Yet ultimately the conception of the Doheny Ranch was his. Fixity and mobility were to be joined in a single composition that anticipated, in both scale and function, more recent, adventurous approaches to the problems of the suburb.
