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subject: The D-snap Camera Are Trendy And Small [print this page]


Panasonic is a world-renowned consumer electronics company. It is the largest manufacturer of consumer electronics in this modern time. Their digital cameras have recently entered the market.

Where digital cameras are concerned, Panasonic has several kinds of digital cameras which can cater to various individuals depending on their budget and needs. In fact, Panasonic has also entered into an alliance with German camera maker, Leica to develop still digital cameras.

The reason for this alliance is the fact that Panasonic is a small player in the digital market today. This alliance will help both Leica and Panasonic to take over an estimated ten percent of the digital camera market share.

Another series of digital cameras are cheaper and smaller, known as the D-Snap digital camera series. These cameras are trendy and small. They are super-slim and come in different colors. They can also record videos and play music.

The shutter has switched places with the mode dial but this makes it feel more natural. A mode switch dial means that you can go from camera and movie modes to program exposure modes.

While the Panasonic Lumix DMC-ZS3 offers basic exposure compensation, macro, flash, and self-timer modes, it will likewise automatically choose standard or tele-macro zoom.

The camera's Q menu offers options for LCD brightness, aspect ratio, picture size, intelligent exposure, white balance, ISO sensitivity, AF mode and burst shooting. Performance-wise it powers on and shoots in about 2.3 seconds. Focus time is 0.5 second in good light, and 1.1 seconds in dimmer conditions.

Slowly and steadily, Panasonic is establishing a name for itself in the digital camera world. This company, which has always believed in putting the customer's needs first, is sure to make a mark in this arena as well.

It is very hard to designate one model as the best Panasonic digital camera. Each of the models have different features that cannot be compared with one another.

by: Ken Dragki




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