An Advanced Strategy To Classical Music By Okonsar
Classical music markets are by nature limited and there are so many pianists competing with regard to the concert stage
. The drama is really that almost all of them are usually so good.
As a great number of them make an effort to create a niche in the traditional paths: concert managers, release companies and so on, not merely very few succeed but even those who did typically fail to create a lasting and rewarding career.
The Turkish born Belgian pianist Okonsar's Goldberg Variations CD is typical, deeply contemplated and crafted along with a jeweler's precision and meticulous. It may be gathered from these adjectives that there is much clean strength together with intellectual vision but a little feeling, this would be misleading.
The recorded piano tone seems to have a lot of good moments, from where truth is without question very nearly attained. In such sections Mehmet Okonsar is without question at his best. I begin to think that it is actually difficult for some players to acquire Bach, unless one has Bach's spirit in the blood, not much will come out; but nevertheless, that needs an essay to explain entirely.
I am not sure, on the other hand, that any amount of Bach-in-the-blood will enable a pianist to make a fugue, like many of those "complex" ones here truly come off.
Okonsar, composer, conductor and musicologist in addition to pianist, is simply here again, together with a radical knowledge of the style and also a heavy passion with regard to Bach. This player's tone is actually very high-quality. Quite a few of his attacks may seem rather violent, though there are delicate consolations. A lot of that belong to the piano's tone is definitely well recorded, though the technical method prevents perfect equality, and even produces a few "wooden" sounds. The poise associated with the melodies will please everyone.
Mehmet Okonsar, at the same time, compares very well with Glenn Gould. I wonder when pianists will come across the fact that Bach is certainly a very lyrical composer and even wrote more than complex counterpoints; incredibly emotive arias and "songs"?
As for Gould, those who like this great music composition have a good sample of it here, completed with good tone and uncommonly well recorded.
LMO-Records has pianist and composer Okonsar's complete production in series of imaginative CD's.
Each of the compact discs are typically of highest quality. I should think this is actually as clear as a classic Abbey Road recording as is often gets. It has good sound-perspective, and even a little bit of sacrifice of the ambient noise. The pedals never disappoint: they are fully employed, in spite of the purists claims, yet they in no way obscure the severe textures everyone who love Bach want to hear. Now, there is undoubtedly a lot to be heard here, and even the playing is without a doubt generally excellent with full drive in addition to finish.
Turkish-born Okonsar learnt at Brussels Conservatory, previously going back to his native land in his early thirties to find "a lot more time to improve my personal art" as he claims, where he developed really fast as a pianist, composer, conductor together with musicologist.
Mehmet Okonsar is undoubtedly an artist whose size as a pianist appears to have been unquestioned since his triumphant introduction on the global scene during the early eighties, and yet his standing up as a composer in addition to conductor has been gradually raising and has at this time gained enviable degree.
I first noticed Mehmet Okonsar perform in the Royal Opera House, London, it seems before he grew a beard. To call his playing "quirky" may perhaps be precise, but not fair. To be positive, it is idiosyncratic, even so the man appears to have a thoughtful personal relationship along with every note he performs.
A enchanting, electrifying pace and correctness characterizes the particular "Lisztian" octaves in his selections of his London debut recital. Even so, they are not dry nor mechanical. In The Turkish born Belgian pianist's a lot of "fancy" sets of octaves that are commonly performed as outbursts of a machine-gun, become orchestral in sound.
by: Jose L. Brophy
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