Ballet Tutus For All Seasons!

There are ballet tutus made for all seasons

There are ballet tutus made for all seasons. The tutu alters its persona in the same manner as leaves changing colors, the first snowflake from the sky, the daffodil that blooms with the warm rays of summer's sun. Few clothing innovations from the 1830s have endured all these years but nothing says "ballet" more than the ballerina wearing a tutu. Professional dancer, novice student or even the audience will agree that discipline and dedication are involved in the Ballet. A ballet dancer illustrates and conveys upon the stage technique, talent and drive. A tutu's appearance gives a ballet dancer that delicate and airy stance. It must be functional for a dancer to perform the elaborate "glissade," "chappe," and "pirouette" without interference. Instead of seasons consisting of spring, summer, winter or fall; ballet tutus for all seasons are based on the configurations of its many shapes, lengths and colors in performances. Long, floating and ethereal tutus, just as the corps de ballet wears in "Giselle" are considered "Romantics." Ballet tutus for all seasons on the stage came in two variations with the original style having the skirt accenting a ballerina's natural waistline. The other adaptation offers a dropped waist worn by the living doll, Swanilda from Copplia.

Either mode will have you feel as though the dancer is floating on air. Under the direction of choreographer George Balanchine, the costume designer was requested to simplify the classical tutu. "Mr. B," believed the standard tutu became an obstacle and impeded the movement of dancers he wanted on stage. Costume couturier, Barbara Karinska, removed the wire hoops and streamlined the material's layers. The outcome was the ultimate ballet tutus for all seasons and resembled a "powder puff." It has been called "Balanchine," in homage to "Mr. B." The tutu first debut was in Symphony in C but materialized in many ballets, such as "Diamonds" and "Theme and Variations." Known as the "European" tutu is the ever popular and classical "Bell" tutu. Nothing typifies this style than that is depicted in the Edgar Degas painting, "The Dance Class." One can easily distinguish it's shaping to that of a tower bell, hence the name.

A "Classical" tutu is similar to the "Bell" but the skirting juts out horizontally from the dancer's hips. It tends to be shorter in length allowing audience members an unobstructed view of the intricate footwork. Premiering at the Paris Grand Opera in 1910, Igor Stravinsky's ballet, "The Firebird," changed the course of the idyllic tutu colors. Beforehand, pastels were worn by the likes of Anna Pavlova. Colors were incorporated to match the characters, music and ambiance of the ballet, with the hues changing accordingly. Whether it is the "Sugar Plum Fairy" or the "Black Swan;" ballet tutus for all seasons will remain integrated in a ballerina's attire forever.

by: Ashton Field

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