English Morris Dancing – History

English Morris Dancing History

English Morris Dancing History

As an Englishman with an interest in English History I thought it would be of interest to tell the History of Morris Dancing which has a long recorded history in England, the earliest reference being from 1448.

By the early 16th century morris dancing had become a fixture of Church festivals. In mediaeval and Renaissance England, the churches brewed and sold ales, including wassail. These ales were sold for many occasions, both seasonal and sacramental - there were christening ales, bride's ales, clerk, wake and Whitsun ales - and were an important means of fund-raising for churches.

Later in the century the morris became attached to village fetes, and the May Day revels; Shakespeare says "as fit as a Morris for May Day" and "a Whitsun Morris Dance".

William Kemp danced a solo morris from London to Norwich in 1600. Morris Dancing was popular in Tudor times. However under Cromwell it fell out of favour and was actively discouraged by many Puritans. The ales were suppressed by the Puritan authorities in the seventeenth century and, when some reappeared in the late seventeenth and early eighteenth centuries, they usually had associated dancing.

By the mid 18th century in the South Midlands region, morris dancing was a fixture of the Whitsun ales. Morris Dancing was now in the hands of common folk who couldn't afford the fancy costumes of a couple centuries earlier, and they were resorting to ordinary clothing decorated with ribbons and flowers. There was a separate variety of morris, called bedlam morris, being done in a swath from the Welsh border counties through Warwickshire and Northamptonshire down to Buckinghamshire; the bedlam morris seems to have been mainly or exclusively done with sticks. Whether this bedlam' morris had an alternative origin we cannot say.

During the nineteenth century Morris Dancing declined rapidly. New forms of entertainment, rapid social change and its association with an older unfashionable culture were all contributing factors.

For various reasons, church ales and Whitsun ales survived quite late in the south-west Midlands. Most of the Cotswold Morris tradition comes from this region and many of the Cotswold Morris sides gave dances to Cecil Sharp and other collectors which formed the basis for the dance revival in the early twentieth century. As well as the Cotswold dances other regional versions of the the morris also survived long enough to be collected. These included Border Morris' from the Welsh border counties of Shropshire, Herefordshire and Worcestershire, North West from Lancashire and Cheshire, and Molly dancing from East Anglia. In the north of England long sword dancing was collected from Yorkshire and Rapper sword from the North East. It was widely believed that other regional varieties of the dance had been forgotten and lost. New evidence has recently been unearthed of lost morris' in other areas of the country and that is what Rattlejag are all about!

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