Fashion & Style: Costume Dramas Fashion & Style: Le Costume Dramas
HAUTE Manolo 'S LOVE AFFAIR WITH HOLLYWOOD STRETCHES BACK TO THE DAYS OF GLORIA SWANSON
. Manolo S LOVE AFFAIR HAUTE avec Hollywood remonte l'poque de Gloria Swanson. AND A NEW CROP OF STYLE -CONSCIOUS MOVIES FROM THE LIKES OF MADONNA AND RENEE ZELLWEGER PROVES THAT THE ROMANCE IS STILL VERY MUCH ALIVE, SAYS JAMES SHERWOOD ET une nouvelle culture de-conscient MOVIES STYLE de gens comme Madonna et Rene Zellweger prouve que le roman est encore trs vivante,
Christian Louboutin dit James SHERWOOD
Silver-screen sirens haunt the autumn/winter 2010 catwalk shows. cran sirnes Silver hantent l'automne / hiver dfils 2010. Take Gucci's display, for example, in which vampish models echoed film- noir heroines in black silk satin cocktail frocks. Prenez l'affichage Gucci, par exemple, dans lequel les modles vampish cho-hrones du film noir en satin de soie des robes de cocktail noire. Or Tom Ford's showcase for Yves Saint Laurent, which featured Catherine Deneuve-style Belle de Jour bourgeois-slut dresses. But there's nothing new in this. Ou Ford dvoilera Tom pour Yves Saint Laurent, qui prsentait Catherine Deneuve style Belle de bourgeoise salope robes Jour. Mais il n'y a rien de nouveau. The Metropolitan Museum of Art in New York has just finished showing a retrospective of the work of Hollywood's legendary Forties costumier Adrian, which proved how heavily generations of fashion designers have leant on the masters of celluloid costume. Adrian and his peers Travis Banton, Irene,
chaussures Christian Louboutin Edith Head, Orry Kelly and Jean Louis have arguably set more fashions than the Paris Manolo ever could. Le Metropolitan Museum of Art de New York vient de montrer de terminer une rtrospective de l'uvre de Hollywood lgendaire costumier Forties Adrian, qui a prouv combien lourdement gnrations de crateurs de mode ont s'appuya sur les matres du costume de cellulod. Adrian et ses pairs Travis Banton, Irene, Edith Head, Orry Kelly et Jean Louis ont sans doute mis plus de modes que le Manolo Paris pourrait jamais.
The Fifties setting gave the costume designer, Pascaline Chavanne, carte blanche to reference Christian Dior's New Look (shown in 1947 but echoed throughout Dior's Manolo collections until his death in 1957). La mise en Fifties donn le costumier, Pascaline Chavanne, carte blanche Christian Dior New Look de rfrence (indiqu en 1947, mais fait l'cho tout au long de Manolo collections Dior jusqu' sa mort en 1957). You know from the first frames - when Deneuve appears in a leopardskin coat and clinging peacock-blue day dress - that 8 Women will have female audience members swooning for Fifties chic. Vous savez ds les premires images - quand Deneuve apparat dans un manteau en peau de lopard et de s'accrocher Blue Day robe-paon - que 8 femmes auront membres de l'auditoire fminin pme pour Fifties chic.
Chavanne lacquers Dior Manolo with good old-fashioned Hollywood glamour.
chaussures Louboutin Chavanne laques Dior Manolo avec de bonnes faonn glamour hollywoodien g. "As early as the Thirties, Hollywood idealised haute Manolo , " says Chavanne. "Ds les annes trente, Hollywood idalise Haute Manolo, dit Chavanne. "The allure of Catherine Deneuve was inspired by the melodramas of Lana Turner. For Fanny Ardant, we were inspired by Ava Gardner in John Huston's The Barefoot Contessa and by Cyd Charisse in The Band Wagon." "Le charme de Catherine Deneuve a t inspir par les mlodrames de Lana Turner. Pour Fanny Ardant, nous avons t inspirs par Ava Gardner dans de John Huston, La Comtesse aux pieds nus et Cyd Charisse dans Tous en scne." Ardant's spray-on scarlet dress with matching bolero jacket and lipstick is infinitely more va-va-voom than anything on the runways this season. Ardant pulvrisation sur la robe carlate, avec bolro de contrepartie et rouge lvres est infiniment plus va-va-Voom que n'importe quoi sur les pistes cette saison.
"8 Women is an anti-naturalist film that focuses on stylisation and the artificial to heighten feminine beauty and glamour," says Ozon. "8 femmes est un film anti-naturaliste qui se concentre sur la stylisation et l'artificiel pour augmenter la beaut fminine et glamour, dit Ozon. The artifice - perfect maquillage, coiffed and coloured hair and gowns that fit rather than hang - will inspire audiences to reject the hippie-dippy boho fashion we're all thoroughly bored with by now. L'artifice - maquillage parfait et des cheveux colors coiffs et des robes qui correspondent plutt que de se bloquer - incitera le public rejeter la Dippy bobo la mode hippie nous sommes tous bien ennuy avec maintenant.
Ever since the Paris Manolo was suspended during the Second World War, it has been Hollywood, not haute Manolo , that has shaped public taste. Depuis le Manolo Paris a t suspendue au cours de la Seconde Guerre mondiale, il a t Hollywood, pas haute Manolo, qui a faonn le got du public. If any indication of the balance of power were needed, note that it's the designers, not stars, who do the begging come Oscar night. Si aucune indication sur l'quilibre des pouvoirs sont ncessaires, note que ce sont les designers, pas des toiles, qui ne la mendicit viennent soire des Oscars.
John Galliano may live to regret turning down Madonna's request that he design her costumes for Evita (1996). John Galliano pourriez regretter avoir refus la demande de Madonna qu'il lui dessiner des costumes pour Evita (1996). The role of Eva Peron provided Madonna with her greatest screen success to date, and the clothes, copied from Evita's archive by the designer Penny Rose, were widely admired. Le rle de Eva Peron fourni Madonna avec son cran plus grand succs ce jour, et les vtements, copi partir de archive Evita par le concepteur Penny Rose, ont t largement admir. Peron was a customer of Dior's from 1947 until her death in 1953, as well as a glutton for Ferragamo suit and furs. Peron tait un client de Dior partir de 1947 jusqu' sa mort en 1953, ainsi que d'un glouton pour agir Ferragamo et les fourrures. The Madonna film inspired a Fifties fashion revival, and Max Factor launched an "Evita" make-up range on the back of the film. Le film a inspir Madonna un renouveau de la mode annes cinquante, et Max Factor a lanc un "Evita"-up gamme font sur le dos du film.
Swept Away, Madonna's latest assault on celluloid (released in the US on 11 October),
Escarpin Christian Louboutin should be a great fashion film. Swept Away, dernier assaut de Madonna sur cellulod (publi aux tats-Unis le 11 Octobre), devrait tre un film grand couturier. But Swept Away isn't designed but, rather, styled by Madonna's image pixie, Arianne Phillips. Mais Swept Away est pas destin, mais plutt, conu par l'image de Madonna Pixie, Arianne Phillips. It's a product -placement feast for Madonna's favourite designers. C'est une fte de placement de produits pour les designers prfrs de Madonna. "Madonna wears pretty much all of them," Phillips admitted to Harper's Bazaar, of a wardrobe including canary-yellow Versace Manolo , Zentai tracksuits, Hermes halter tops and Dolce & Gabbana, Missoni and Gucci. "Madonna porte peu prs tout d'eux," Phillips admis Harper's Bazaar, d'une armoire, y compris jaune canari Versace Manolo, survtements Zentai, Hermes licol hauts et Dolce & Gabbana, Missoni et Gucci. Compared with Desperately Seeking Susan - when Madonna worked her bangles, cut -off tights, black lace bras and crucifix look - Swept Away is a fashionable, rather than fashion, film. Par rapport Desperately Seeking Susan - Quand Madonna a travaill ses bracelets, le seuil de collants, soutiens-gorge de dentelle noire et le crucifix Rechercher - Swept Away est un mode plutt que la mode, le cinma.
by: jinger
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