Steampunk: A Story That Takes Place In The Future
Steampunk is a literary genre
Steampunk is a literary genre. It is originally a subgenre of science fiction uchronic, whose title was coined in allusion to the cyberpunk author KW Jeter as a joke. The term "steampunk," which literally means steam punk, often led by future steam, is a term coined to describe a genre of science fiction literature born in the late twentieth century, whose action takes place in the atmosphere of the industrial society of the nineteenth century. The term refers to the widespread use of steam at the beginning of the industrial revolution and Victorian. But the style steampunk quickly left the only sphere of literature spread to other areas of creation and expression and become a self fandom.
Originally, Steampunk is a genre which Jules Verne, HG Wells and Albert Robida provide the features and aesthetics of the universe of expression through their novels and film adaptations that have been made: 20,000 Leagues Under the Sea by Richard Fleischer (1954), Extraordinary Adventures of Vynalez Zkazy and Karel Zeman (1957), The Machine The Time of George Pal (1960). The world of Victorian and Edwardian (Edward VII was described last Victorian king by the British historian Christopher Hibbert) before the first world war remains one of the sets of favorite genre.
By extension are similar to the genre of Steampunk stories that take place either in the future, either in a present which appear uchronic alternative historical characters who really existed, when their decor recalls the design of the industrial environment of the nineteenth century or that the society they describe resembles, socially very rigid and compartmentalized, as in the Roads area with Colin Greenland (1993).
Sub-genre of SF, steampunks works are also adventure and detective story - even as the Western Wild, Wild West. To distinguish the narrative elements which occur within the Fantasy, critics use the term Gaslight Fantasy , illustrated in particular kind in which Anne Rice and French Fabrice Bourland. . Steampunk frequently overlaps with other types of repositories such as the SF time travel, the alternate history (time shift and alternate history) and parallel universes. This aspect uchronic earned the canonical works of SF steampunks labels "chronic future anterior" or "retro-future" among fans of the genre.
A key difference between steampunk and science fiction authors anticipation of the nineteenth century such as Albert Robida - described as proto-steampunk by purists, is the presence of anachronistic elements later as computers or genetic manipulation that were obviously not at the time.
Steampunk is also distinguished by its humor, many authors - KW Jeter, who brought the genre on its baptismal font, at the head - considering gender as a literary game doing everything he winks of the fathers of science fiction , the fantasy novel and novel of extraordinary adventures - to borrow the title of the fabulous collection of works by Jules Verne.
In shorthand caricature, one could say that steampunk assumes that in a world where steam engines would have progressed beyond what we know, men would not feel the need to invent the combustion engine internally. The aesthetics of this civilization uchronic is very different from ours, since the lack of oil causes the plastics and a delay in the development of electricity and computers, or their absence altogether.
The decor is inspired by industrial larchitecture the late nineteenth century. The coal industry is highly developed in parallel with that of metals, including wrought iron serves as the main feedstock. Similarly, the aesthetic is often associated with dark wood and brass. The gears are complex or simply decorative, they also often employed . In transport, air and private cars are often withdrawn in favor of the airship and the train.
The dress style is a mixture of the century Victorian and accessories. It incorporates elements before and after the two world wars. The dress steampunk aesthetic approaches the gothic mode, also victorian inspired.
While the electronic age tends toward miniaturization, the fundamental element of steampunk aesthetic is its sheer size. This technology, deliberately blocked at the stage of the steam engine, produces building exaggerated, extravagant complex of pipelines operated by levers and keyboards as numerous as complicated. Steam vehicles often seem heavy and difficult to handle, requiring a very high energy expenditure for a low mechanical efficiency. The classic hero in this universe is the kind of mechanic engineering.
However, some steampunk universe seem to have a technological breakthrough in modern times. This is the case of "mechanical transplants" in the anime fullmetal alchemist in or films like Wild Wild West. Mechanics is also better developed (the mechanical spider from Wild Wild West), as the steam machines.
Steampunk occasionally made loans to the aesthetic world of so-called post-apocalyptic fiction, as in the Fallout series of video games, mainly because the technology appears to be retrograde, gross and recovery. Another example of telescoping between these two genera is given by the novel The night of the triffids by John Wyndham.
Include cycle omala (3 novels) from french genefort lawrence, describing a world of steampunk endless war between humans and aliens . Another example can still be gears, volume three of the comic wake, which has a people stuck in the industrial age combat thousands of robots, at a more advanced technology, all in a world ravaged by the fighting constant.
by: Anna Kerry
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