The Artistic Crime Of The Century - Man On Wire

The documentary "Guy on Wire" shows the tale of a tightrope walker

, street performer, artist which greatest achievement in career, and thus key theme of the film, is actually juggling on a tightrope extended amongst the two towers of WTC in New York City, 1974.

It appears as though certain things occured for this documentary, which inevitably allowed it to make this type of big success: a wonderful tale, main contributors ready to discuss this, plenty of stored tracks and also photo items of the actual events, plus a quality production budget.

This film features all significant movie-units that are seen as the usual film technique when dealing with certain topics, and also place-time things about the movie content. Aspects relating to meetings with "main personas" which are made in the Modern day, at studio in the home, next remodeling of genuine situations, stylized in a manner that first they have been colour limited and later on put in some graininess on the picture. Inspiration for this sort of extreme proceed may be found in the need for a better variation among "these" and "those" moments, in an effort to get, a bit nearer to exact reconstruction of that moment and in that way. Additionally, there are real footages as well as photos which are visually "quality" and wonderful.

Also Shimon Haber brings up and the directing and creating factor for this movie when linking all those tales, moments, situations, and successfully managing those actions of "copying process". For example, while Philippe Petit, possibly in his 50s, in the backyard exercises juggling on a tightrope using the same "shoes" and also once again wearing black clothes.

At the end, once again, some of us will ask the actual question which is stated during the film: exactly why should a person walk over a tightrope between two tall buildings, from where comes this kind of wish? As Philippe did not reply, way back in 70s, simply shrugged, Shimon Haber thinks it can be described like this: The guy already answered it, however obviously not everyone has identified it as being a statement. As an performer, his way of expressing surpasses verbal concept and enters another dimension of connection. This kind of expression is usually much more powerful compared to words, and that is, of course, his performance. Walking on a tightrope, as an act, in that location, in those days, is sufficient and everything he had to state and can't be otherwise.

by: Paris t Bradley

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