The Metaphysical Actor Part One - Have Actor's Lost Their Spiritual Ground?

The Metaphysical Actor Part One - Have Actor's Lost Their Spiritual Ground

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Our demands a this point must be in training to open up into our subconscious bodies. How do we train entering the subconscious? Once we are there how do we train prolonging those intervals? And by prolonging these intervals can we bring a more consistent truth or inspiration to our performances and to our art? And when we are in the midst of creating out of our subconscious instinctual bodies, can we then learn to shift in and out between the subconscious experience and our conscious mental directionality of that sensate experience? In other words, can we allow the inspired, instinctual creation to unfold moment by moment (rooted in the subconscious), while at the same time allowing that to be guided within the framework of our consciously defined characters and stories which we discovered by using all of our known tools in the creative process of acting (objectives, obstacles, actions, conflicts, beats, behavior, etc.), without our conscious minds sabotaging or allowing the actor to 'come out' of his subconscious and instinctual experience? Beyond this can we learn to attune to a 'universal mind'? The Mind that runs the Universe. The Mind of non-judgment. The Mind of the healer. I believe it is a frequency of vibration that can begin to be cultivated the more one practices receiving. Much the same way a tree receives sun from above and water from below. And in this universal frequency can the actor allow that intelligence to flow in and through him - providing him or her a much more profound experience within a Universal framework? If so, the theoretical result may give the actor the ability to truly 'live the part regardless of his will.' And what may be crafted is a total unification between the 'spirit' of the actor with the 'spirit' of the character guided by the 'spirit' of the Universe - the great and creative Universal Mind. All of which may give us a way towards achieving what Stanislavski believed to be the aim of our art form - "the creation of an inner life of a human spirit, and its expression in an artistic form." (An Actor Prepares)

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