The Power of Characterization
So I am on the first page of your manuscript
So I am on the first page of your manuscript. The Voice hits me immediately, but closing in fast on its heels is the next vital element of storytelling: the lead character. This is particularly exciting for me because I can't wait to see how your protagonist arrives on the scene.
And this is what's going through my head...
What does she look like? First impressions matter. Unlike most animals who first greet others through scent, we humans first greet others through sight. Readers want to see the protagonist early.
No need to construct a list of physical features, but it is nice to know the basics. Name. Male or female. Young or old. Human or alien. Any outstanding feature one would instantly notice when meeting this person, such as tattoos, broken leg, purple hair. Just a few details upfront kicks the imagination in gear.
What does he sound like? A character doesn't truly live until he speaks. It's when we hear his conversation, his phrasing, that we connect. From his words alone, we can learn all sorts of personal information. His temperament, intellect, occupation, marital status, ethnicity and, most importantly, his goal.
No need for small talk, of course, but it is nice to hear him communicate soon as possible. Who's he talking to? Why is he talking to them? What's so important about this conversation that readers must hear it?
What is she doing? This character may be the most attractive, articulate character ever created in the history of humankind, but it means nothing if she never leaves her chair. Keep 'em active. It is, by far, the most eye-catching trait you can bestow upon your characters.
No needto have her explode onto the scene, but it is nice to see her busy. Living her life. Reacting to a dilemma. Stepping into an unexpected journey.
After the last page, when it comes time to ponder overall characterization, as a reader, I think of both major and minor characters. And I ask myself: Were they believable? Did I care what happened to them, both good and bad? Did I identify with her problem? Did I understand his motivation? Would I want to spend more time in their world?
It's an intimate relationship. Impossible to fake.
But when it happens, when your characters cease to be mere words on the page and transform into real, breathing people, you really need do nothing more than get out of the way.
The Power of Characterization
By: Elizabeth Guy
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