The Shure KSM44 Large Dual-Diaphragm Microphone Review
The Shure KSM44 Large Dual-Diaphragm Microphone Review
The models of the two microphones look similar, but on closer inspection, there are some notable differences. The first notable differences are the KSM44A's 1-inch, low-mass, 2.5-micron, gold encrusted Mylar diaphragm supplies the Shure KSM44A with the new Prethos internal electronics technology. In addition to this, the Prethos technology creates low distortion, clarity, and expedient ephemeral facsimile to frequency feedback.
Features and Benefits
The bandwidth of the Shure KSM44A is 20 to 22 KHZ at only 5 decibels down. Also, the noise in the cardioids setting provides an environmental noise measurement of approximately 4 (relatively low literally speaking). In addition, with the Shure KSM44A providing 131 decibels of sound pressure handling, this enables a great range with estimations of around 127 decibels. Furthermore, using the HV-3 pre-amplification ensured the virtual elimination of noise and provides notable snap and pop.
The Shure KSM44A provides a three-way bass filter which allows the music to be shaped or customized to your liking. The shockmounting (provided with the standmounting and the aluminum case bag) does an excellent job of secluding the microphone from outside shocks or pulsations. In spite of the thumbscrews being close to the bodies of these features, making them more difficult to tighten when needed. However, the grille offered great resistance against heavy breathing noises on most singers and vocalist; this goes to note, that a pop filter was nary required during this process. The cardioid and figure-8 pattern offered intimacy and warmth when vocalist sang closer to the microphone. This goes to say, the KSM44A resulted in consistent tones with little to no distortion during optimal performance. The sound and tonality were clear and transparent to the point that there would be no emphasized high elevation.
The beauty in Shure's new product is the great, genuine, precise feel of the acoustics, drums, and sound vocals. Also, the equalization (EQ) used for treble problems are not required to be used as much here. The solid construction, coupled with sound ingenuity and quality design makes this a great must have product for new-comers, intermediates, and experts alike. This is a studio-quality microphone that while on the expensive side ($799), is fairly reasonable for those who are attempt to create studio quality sounds for less money as most studio microphones range from $2,000 or more. If you are looking for a high quality product, this is it.
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