Complete Control: Still The Best Clash Song Ever
Complete Control is a song by British punk band The Clash
, released in 1977 on the U.S. version of the album The Clash. Released as a single with City of the Dead B-side, the song was recorded at Sarm East Studios, Whitechapel in London.
The song is often cited as one of the greatest punk . She treats inflamed record companies and the industry in general and the state of punk itself. The inspiration for the song from the anger of the group to CBS Records, which released the single Remote Control in 1977 without seeking the agreement of the members .
The song also refers to the managers was seeking to control their groups, like Bernie Rhodes the Clash and Malcolm McLaren with the Sex Pistols. The title is also inspired.
The title is recorded in Sarm East studios in Whitechapel, mixed by Mickey Foote and produced by Lee "Scratch" Perry.
Since 1977, Lee Perry is interested in quickly punk. Having heard of the group through its recovery successful Junior Murvin Police and Thieves which is co-author, he decides to put a painting of the Panel on the walls of his Black Ark studio in Jamaica, a rare event for white artists . In fall 1977, when members of The Clash learn that Perry was in London to produce Bob Marley & the Wailers (the period when they wrote the song Punk Reggae Party), they invite him to produce their debut single.
During the recording sessions, Lee Perry mix much the piece to try to get the bass of Paul Simonon a deeper sound. He also enjoys playing guitar Mick Jones describes it as performed with a "iron fist" . The group is still not totally satisfied . The members finally decided to add guitars stronger, thereby diminishing the reggae sound of the original version.
Complete Control has reached the 28th place of the charts, allowing to classify a Clash of her singles in the Top 30. In 1999, CBS Records reissued the single with a live version of Complete Control.
In 2004, Rolling Stone ranked the song at rank number 361 of its ranking of the 500 greatest songs of all time .In 2007, the song is present in the music video game Rock Band.
Bpitch Control (Berlin City) is an electronic music label created by producer and DJ Ellen Allien in 1997.
The purpose of the label is to promote electronic music by experimenting with different sounds tend to techno, electro and minimal with DJs like Kiki, Sascha Funke, Ben Klock, Paul Kalkbrenner, Tomas Andersson, Apparat, Smash TV. The label is also known for signing artists electro / electronica breakbeat tempo and ghettotech as Modeselektor and Housemeister.
The Berlin label has signed some French, among them: Feadz, young EEDiO voted best hope for Trax magazine, Paul Nazca for an EP in 2006 deep hypnotic, and Chloe for EP collective micro-house with Kiki and Sascha Funke.
A little brother was born in 2005: Memo, subdivision specifically minimum. It includes Ben Klock, and newcomers like Zander VT, Andre Crom.
In 2007, Bpitch Control released the first album Damero none other than the responsible promotion label Marit Posh. It describes her music as "dance music for armchair" and has great vocal qualities. That same year released the third volume compiled label, selected by Ellen Allien, accompanied by his tour: the Bpitch Control Camping Tour. On this compilation exclusives include Bpitch artists (including Timtim, Sylvie Marks), but also newcomers: Zander VT, Larsson. A new title of Ellen Allien and Apparat (Red Planets), and an invitation to Fairmont aka Jake Fairley (Bpitch Control being close to the English label Border Community).
Until the second album of Modeselektor, a new solo album Sascha Funke, Paul Kalkbrenner that of a Boogy Bytes Vol.3 is this time mixed by Modeselektor. Thirty pieces of renowned artists: Radiohead, Nathan Fake, James Holden, Mr. Oizo, Phon.O, but also others to discover, such as: Germans Errorsmith, Siriusmo, ... Their mix includes in particular their remixed version of a piece of Paul Kalkbrenner: Gia 2000, and continued their collaboration with taxes: A Band of Boys Fun.
by: Anna Kerry
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