Duchamp Reloaded

Everything flows

Everything flows. And that has changed in contemporary culture, the concept of philosophy. Nowadays, you read the job specification philosopher rather casually as part of professional identity designs, which are also filled with the names of "media studies" or "journalist".

The classical thinkers, musing about being detached from the world seems antiquated to be no way out. Today's philosophers are primarily communicators and mediators between different disciplines, to establish our own new theories and models of thinking, no one expected of them, although the society of today would have desperately needed.

Bring philosophy and contemporary art in context, is a worthwhile endeavor. Unfortunately, it has now spun off the habit of many art writers to enhance the content with the general, philosophical terms, contemporary-style decor products. The Neue Berliner Kunstverein (NBK) has with his current exhibition now found a way to legitimize the often problematic of meaning from the outset. Wants to show she presents a curated exhibition by the philosopher Marcus Steinweg art, the present forms of thought.

Catcher of the exhibition is an installation of Thomas Hirschhorn, Has worked with the curator of many times. Eye to Eye Subjecter consists of two columnar fan out into the air towering mannequins, whose cream-colored evening dresses like tents down. They are equipped with a veritable river of color prints that sojourn in concentric circles on the ground and push up on the opposite walls. From one of the mannequin figures go from paradisiacal landscapes and sunsets. On the other stick pictures of Secrets: burning cars and body parts, explosions and maimed people. Visitors to this kitschy-apocalyptic fashion show will probably be drawn to the ambiguous flood of media that we face in our visual culture. Neither a new nor illuminating topic - but strikingly staged.

A puzzling issue in the 15-minute film Toga of Marcellvs L. to. A close up of tumbling down ropes produces vertigo. The dull droning tone to help but not to stimulate thinking about the monotonous pulling a fishing net, which already promotes no new information to light.

To move even when it goes Maria Joo Gusmeo & Pedro Paiva. Her short film Wheels shows the rotating wheel of a bicycle and a car. The wheels themselves are moving, however, less than the environment that revolves around them. This reversal of perception, especially in circumstances reminiscent trick shots from the early avant-garde film of the 20th Century - and of course the bicycle wheel of the artist-thinker Marcel DuchampThat is the secret ancestral father of the whole presentation well.

Specifically, Duchamp emerged as well as another piece in the exhibition. His famous paintings Nu descendant un Escalier of 1912 has Bethan Huws in a type face with white letters of the title inspired by descending on a black background. This work appears in an ensemble of three other works by the artist, who could not heterogeneous to be: An awkward pencil drawing to see the snakes and ladders, and a miniature boat rush grass, which then sail on a wooden plate under a glass dome. Center of Huws' hybrid mix of styles is a nearly one-hour film in which an actor dressed smartly theatrical monologues and reflections about art while prancing through ruins and idyllic landscapes.

by: aarenbrowns

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