Watch House Season 7 Episode 16 online
Watch House Season 7 Episode 16 online
Watch House Season 7 Episode 16 online
Woooooooooow!!! An episode of House airing this Monday (GMT). Titled "Out of the Chute" the team treats a professional bullfighter who is attacked by a bull. The team must determine the causes behind the patients disappearing symptoms and seizures while taking House's advice from outside the hospital as he attends to issues unrelated to the case. Meanwhile, Masters develops a crush on the patient. Just can't get enough of Dr. House, so come join us and watch House Season 7 Episode 16 online here:
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Last episode, Episode 15 "Bombshells"
Tension reaches new heights when Cuddy faces sobering news that propels her to reevaluate her priorities. While House is distracted by his concern for Cuddy's well-being, the team treats a teenage patient whose worsening symptoms and suspicious body scars indicate more than just physical illness.
Dr. Gregory. More House (Hugh Laurie) is devoid of bedside manner and wouldn't even talk to his patients if he could get away with it. Dealing with his own constant physical pain, he uses a cane that seems to punctuate his acerbic, brutally honest demeanor. While his behavior can border on antisocial, House is a maverick physician whose unconventional thinking and flawless instincts have afforded him a great deal of respect. An infectious disease specialist, he's a brilliant diagnostician who loves the challenges of the medical puzzles he must solve in order to save lives.
About this season:
House entered a seventh season on September 20, 2010. House and Cuddy attempt to make a real relationship work and face the question as to whether their new relationship will affect their ability to diagnose patients. The new season features a new opening title sequence. This is the first change in the opening sequence since the show began, with Peter Jacobson listed in place of Jennifer Morrison and Olivia Wilde credited after Jesse Spencer.
Prior to the start of the remainder of the season in 2011, it was announced that a multi-episode arc that would feature House on the road was scrapped, forcing David Shore to return to the show to rework the rest of the season. Furthermore, FOX ordered one more episode for the season, bringing the total number of episodes to 23.
Conception of the show:
We knew the network was looking for procedurals, and Paul [Attanasio] came up with this medical idea that was like a cop procedural. The suspects were the germs. But I quickly began to realize that we needed that character element. I mean, germs don't have motives. In 2004, David Shore and Paul Attanasio , along with Attanasio's business partner Katie Jacobs , pitched the show (untitled at the time) to Fox as a CSI -style medical detective program, a hospital whodunit in which the doctors investigated symptoms and their causes. Attanasio was inspired to develop a medical procedural drama by The New York Times Magazine column "Diagnosis", written by physician Lisa Sanders . Fox bought the series, though the network's then-president, Gail Berman , told the creative team, "I want a medical show, but I don't want to see white coats going down the hallway". Jacobs has said that this stipulation was one of the many influences that led to the show's ultimate form.
After Fox picked up the show, it acquired the working title Chasing Zebras, Circling the Drain ("zebra" is medical slang for an unusual or obscure diagnosis, while "circling the drain" refers to terminal cases, patients in an irreversible decline). The original premise of the show was of a team of doctors working together trying to "diagnose the undiagnosable". Shore felt it was important to have an interesting central character, one who could examine patients' personal characteristics and diagnose their ailments by figuring out their secrets and lies. As Shore and the rest of the creative team explored the character's possibilities, the program concept became less of a procedural and more focused upon the lead role. The character was named "House", which was adopted as the show's title as well. Shore developed the characters further and wrote the script for the pilot episode. Bryan Singer, who directed the pilot episode and had a major role in casting the primary roles, has said that the "title of the pilot was 'Everybody Lies', and that's the premise of the show". Shore has said that the central storylines of several early episodes were based on the work of Berton Rouech?, a staff writer for The New Yorker between 1944 and 1994, who specialized in features about unusual medical cases.
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