The Band Perry Win New Artist of the Year at 2011 ACM Awards
The Band Perry Win New Artist of the Year at 2011 ACM Awards
The Band Perry Wins ACM's Best New Artist Award: The Band Perry has a fabulous night, winning two ACM Awards. If I Die Young is all over the radio.Before The Band Perry took their second ACM Award of the year top new artist, which followed their previoustop new vocal duo or group win the three bandmembers were still trying to process their whirlwind success."To hear The Band Perry' and nominee' in the same sentence, it's still sinking in," singer Kimberly Perry said on the red carpet going into Sunday's awards show at Las Vegas' MGM Grand Garden Arena.The family trio also performed at the 46th annual Academy of Country Music Awards show, alongside some of the biggest names in country music, including Carrie Underwood and Keith Urban.
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The Band Perry won Top New Vocal Duo or Group of the Year at the Academy of Country Music Awards tonight and then beat out Top New Solo Vocalist of the Year winner Eric Church for the honor of Top New Artist.Even though I love country music, at first, I was thinking The Band Perrywho? But, then I realized that I'd heard their song "If I Die Young" all over the place."If I die young bury me in satin Lay me down on a bed of roses Sink me in the river at dawn Send me away with the words of a love song".The Band Perry received their gold plaque for their self-titled debut album in Las Vegas ahead of the 46th ACM Awards. The disc reached gold certification in only four months and such an achievement deserves to be celebrated! On hand to present the siblings with their plaque were label president Jimmy Harnen, Big Machine president Scott Borschetta, and TBP manager Bob Doyle.
For the Perrys, the song is more than a conversation topic or even their first big hit it's the song that taught them how to write as a trio. Kimberly wrote "If I Die Young" alone, then brought the song to her brothers to help her fill it out musically. The group sat in a circle Kimberly on her guitar, Neil with his mandolin and Reid on his bass and kept playing through it until "it got its shape and solidified.""We had never done that process before and it works for us," Kimberly says. "Now we can't write melody apart from lyric apart from music. It all has to happen at the same time.""Our constant strive is to not sacrifice lyric for melody or melody for lyric," Reid adds. "Our best way of doing that is doing it all at one time."
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