The Secret Of The Three Essentials Necessary To The Martial Arts
In the martial arts, I don't care if it is mma
, Pa Kua Chang, Shotokan, or whatever, there are three key ingredients. These three ingredients are what makes an art an art, and they are why people study the arts. Oddly, one of the ingredients is almost totally ignored.
One of the ingredients is the pursuit of strength. Muscle mags are filled with strength advertisements, and everybody obsesses on strength. Oddly, strength is the least important of the three essential techniques of the martial arts.
The most important of the three essentials is technique. Technique is measured by how little you have to work to make a move work. If you need a lot of strength in your move, then your technique is lacking.
The second most important essential to good martial arts, and the one most people are missing, deals with speed. Interestingly, at least in the beginning, speed is absolutely vital to make a technique work. Yet strength is what everybody obsesses about.
Yes, people try to get fast, a little bit, but it is an individual effort, and usually put aside in the pursuit of strength. People believe that strength is going to make them faster, you see. Well, it will, but there are flexibility drawbacks, and the speed gained is not always enough.
Speed must be developed in a fashion which aligns with technique. As knowledge of technique rises, so should the ability of the student to have speed. In my over 40 years of martial arts I have found only one drill which actually develops speed in the student.
The Speed Drill is based on a simple slap and grab motion of the hands. It makes entering all techniques as easy as swatting a fly. And every technique can be immaculately set up using this slap and grab drill.
So practice the strength of weight lifting, and build the technique of tai chi chuan. Work the iron arms of kung fu and focus your concentration into a forever line with hsing i. But if you want sheer, raw, powerful speed...The Speed Drill is the tool for you.
by: Al Case
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