Watch The Housemaid Movie 2011 Review Online Part 7

As her character winds up taking unexpectedly prominent positions in the story and household

, it's fitting that Lee Eun-shim winds up taking center stage as a performer. She doesn't enter the film right away, but there's a wild, maniacal air to her from the start. She attacks the camera and audience, aggressively sexual in a way that none of the other characters would even consider being. Lee adds just enough initial nervousness and paranoia when necessary, but mostly gives us fantastically chewed scenery. In doing so, she makes Um Aing-ran's Kyung-hee seem almost reasonable, despite how calculating Um makes her. And Kim Jin-kyu has the perfect flustered propriety as Dong-sik.

There are sly bits, but what's perhaps the most fun is how heated Kim Ki-young occasionally allows his movie to get; for all the characters' self-denying longing, this is far from a movie about fleeting glances. Lee Eun-shim bangs on the piano in wildly comic exaggeration, and the scene she plays with the child actors just before things really get bad is a bit of comedy as pitch-black as it is hilarious. And then, at the end, Director Kim follows up a frenzied last act with a pair of narrative goofs, marking the intensity of the film as a great lark without diminishing it.

I half suspect that the remake that Im Sang-soo has made for the fiftieth anniversery will have all the subtext but lack the level of joyous insanity that makes the original edition of "The Housemaid" so much fun. It's a memorable movie and maybe even a classic, because it mixes a huge dose of lurid, entertaining pulp in with its high-minded ideas.

A remake of a 1960 film of the same name by director Kim Ki-Young, The Housemaid is the temptingly twisted tale of a naive housemaid who unwittingly finds herself at the centre of a wealthy but morally-corrupt family. Eun-yi played by Jeon Do-yeon (who won the best actress award at Cannes for her role in Secret Sunshine) becomes an object of desire to Hoon (Lee Jeong-jae) and an object of contempt to Hae-ras (Seo Woo) as she becomes embroiled in an erotic relationship with the man of the house. As the household unites in a series of vengeful attacks Eun-yi must fight to escape.

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by: raman

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