Grand Ole Opry Tickets : The Opry Can Also Be Heard Live On Willie Roadhouse

The Grand Ole Opry is broadcast live on WSM-AM at 7 p.m

. Central Time on Saturday nights. A similar program, the Friday Night Opry, airs live on Friday nights. From March through December, the Tuesday Night Opry is also aired live. A Wednesday Night Opry program was scheduled to debut in summer, 2010, but those plans were abandoned after the 2010 flooding.

The Opry can also be heard live on Willie's Roadhouse . A condensed radio program, America's Opry Weekend, is syndicated to stations around the United States. The program is also streamed on WSM's website.PBS televised live performances from 1978 to 1981. In 1985, The Nashville Network began airing an edited half-hour version of the program as Grand Ole Opry Live; the show moved to Country Music Television and CMT Canada in 2001 , and then to the Great American Country (GAC) cable network in 2003.

The television version on GAC ) is currently on hiatus.Being made a member of the Grand Ole Opry, country music's big house, the oldest, most enduring "hall of fame," is to be identified as a member of the elite of country music. In many ways, the artists and repertoire of the Opry defined American country music. Hundreds of performers have entertained as cast members though the years, including new stars, superstars and legends.

Opry membership is not only earned, but must be maintained throughout the artist's career. After artists die, they are no longer considered standing members of the Grand Ole Opry. However, their impact is often celebrated at special events, such as the 50th anniversary commemorating the death of Hank Williams in 2003, which featured performances from Hank Williams Jr. and his grandson, Hank Williams III.

In the mid-1960s management decided to more strictly enforce the requirement that members must perform on at least 26 shows a year to keep their membership active. This imposed a tremendous financial hardship on members who made much of their income from touring and could not afford to be in or near Nashville every other weekend.

This was aggravated by the fact that the Opry's appearance fee paid to the artist was essentially a token ($44 at the time). This requirement has been lessened over the years, but artists offered membership are expected to show a dedication to the Opry with frequent attendance.Another controversy that raged for years was over allowable instrumentation, especially the use of drums and electrically amplified instruments.

Some purists were appalled at the prospect; traditionally a string bass provided the rhythm component in country music and percussion instruments were seldom used. Electric amplification, then new, was regarded as the province of popular music and jazz in 1940s. Though the Opry allowed electric guitars and steel guitars by World War II, the no-drums/horns restrictions continued. They caused a conflict when Bob Wills and Pee Wee King defied the show's ban on drums.

The restrictions chafed many artists, such as Waylon Jennings, who were popular with the newer and younger fans. These restrictions were largely eliminated over time, alienating many older and traditionalist fans, but probably saving the Opry long-term as a viable ongoing enterprise.

by: Amanda Harrison

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